Verdict
An expensive but efficacious way of add some low - terminal oomph to smaller surround set - ups , the SVS 3000 Micro punches hard but is n’t a one - note animal when it comes to delivering an explosive home cinema experience .
Pros
Cons
Key Features
Introduction
There are all fashion of way to better your home cinema sound situation , but if you need that cinematic phone , a subwoofer is a must and SVS is arguably the prime steel when it comes to subwoofer .
grown or small , SVS does n’t separate and trade in all sizes for dissimilar audio systems . The 3000 Micro launched a few years ago but is still available in their current line - up that has over a twelve unlike option .
It still commands a significant price but if it provides the performance you require , then it could be worth the cost . rent ’s dive in .
Design
Measuring 278 x 297 x 278 mm ( HWD ) , the 3000 Micro is almost a perfect regular hexahedron in shape but its size of it lends itself to being used with littler - sized talker or in small surround sound systems . For the purposes of this review it ’s partner with four Q Acoustics ’ 5020 standmount speakers and 5090 eye , but you could also consider adding it to a stereoscopic picture system for added bass .
The piano gloss finish ( available in either black or white ) gives it a spectacular aspect for a speaker that , for most people , would probably stop up out of the way . It is a attraction for fingerprints though and if you are fazed by slur you may require to break out the white glove treatment when affect this sub .
At 10.2 kilogram it is a densely packed subwoofer , the console reconstruct out of reinforced MDF to manage with the low frequency rumble and standing waves . sequester elastomer feet ( rubbery material ) are included , and the mightiness cable is a detachable kettle quid render but there ’s no RCA cable .
And in price of locating within a room , the advice from SVS would be to give tight to a paries . Having experimented myself with the locating I recover there ’s more force and explosiveness to the 3000 Micro when placed nearer a wall than out in the open air .
Features
You would n’t needs think of a subwoofer as one that come with a range of feature . The SVS 3000 Micro turn over that thought on its drumhead .
On its rearward dialog box are an array of inputs and switches that includes a stereoscopic photograph RCA input and output – for whether you want a single ended connection to an amplifier , or if you ’re considering left / right channels into a preamplifier . The blue LED bar above covers book , low straits frequency , and phase options that are customisable by entreat one of those release and adjusting it through the plus and minus buttons .
you’re able to fine-tune the Micro 3000 if you have a mic to hand , and you’re able to also fine-tune via the app . Yes , there ’s an app too .
Connecting to the 3000 Micro over Bluetooth , the SVS Mobile App can be downloaded through Android , Io or Amazon Appstore ( for whoever utilise that ) and offers more scope over the 3000 Micro ’s performance .
There are presets , EQs , volume control : the fitting of mutual opposition , elbow room profit , crossover and more , much of which is more of a headache for hardened home movie theater users than anyone merely look to get some killer bass . Any registration are quickly received by the subwoofer , and usefully , setting come with explanations in showcase you miss your elbow room or desire to learn more about what each feature does .
The sub can summon 800W of power with a 2500W peak output from the Sledge STA-800DM amplifier inside that drives the threefold counterbalance 8 - inch machine driver , with a frequency response that covers 23Hz to 240Hz ( + /- 3dB )
Performance
In Hollywood condition , the subwoofer is a supporting character rather than the star , and the SVS 3000 Micro understands this . Its intent is not to hog the gloriole but to help .
Starting with the opening of John Wick : Chapter 4 as the titular character pummels a wooden post with his hand , the 3000 Micro fork out a big , powerful basso performance but without overdoing it . It draw the roar of the shots , but flawlessly and without distorted shape .
This scene is the one I used to place the Cuban sandwich and it ’s noticeable how vapid the 3000 Micro sounds out in the open , with less profundity and rankness that ’s audible compare to its position next to a wall . The test room is a bigger one than I ’d expect the 3000 Micro to be in , but the operation is still way - agitate .
A book layer of -12 to -16 is the gratifying spot for most moving picture . Darren Aronofsky ’s mother ! features an excellent surround soundtrack , but the 70s - esque start scare and startles make good use of the low frequencies , and the 3000 Micro is awake and reactive to provide that attack and snap to those scares .
It ’s in the moving-picture show ’s latter half where bass becomes more of a changeless presence , whether it ’s group of hoi polloi stamping on the ground , explosions being adjust off or female parent ’s panic attacks – there ’s a solid balance derived in terms of the modest frequency deepness and clearness .
The explosion that kicks off The Hurt Locker is potently conveyed , as is a sniper conflict later on in the film where every guesswork explodes forth from the barrel in a punchy , snappy personal manner . If there is a quibble – something I acknowledge more with mother ! than other motion picture – is that the 3000 Micro does n’t go down the depths for out and out power . But it is a compact subwoofer and is n’t move to deport the same sense of depth as a 10- or 12 - inch framework .
Christopher Nolan ’s Oppenheimer is an first-class phonograph recording to test for bass , and the Trinity explosion would be an obvious conniption to demo , but what strike me here is the ascendance the subwoofer exerts . The halt / start nature of the low frequency is handle well , white and accurate without sounding boomy , but it ’s thedecreasein bass as the explosion is heard from further away that show the 3000 Micro is n’t a blunt tool but a subtle one .
With more usual action scene from moving-picture show such as Tenet or 13 Hours , gunfire are knifelike , punchy and brawny in the opera house siege from the former film , while the backs - to - the - paries defence of a US outpost in Benghazi features overnice , rotund gunshots described with splendid clarity , attack , and detail .
The surroundings speakers help in terms of submersion , but it ’s the sub ’s control over the low frequencies adds excitement . Without the 3000 Micro , these films would be a duller and less enjoyable experience .
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Should you buy it?
You would n’t want to utilise this sub in a large elbow room , nor would you really want to pair off it with enceinte speaker either . A standmount speaker system in a small room is the way to go
You could find the SVS 3000 Micro for £ 799 , but that ’s a lot for a sub of its size , despite its quality .
Final Thoughts
The SVS 3000 Micro is an splendid subwoofer , one that never receive in the way of proceedings and complements the speakers in your home cinema system . There are a few minor caveat .
One , it is expensive , on middling around £ 999 / $ 899 though you may likely happen it for less on-line . You ’d postulate to be serious about your house movie theatre system to invest in the 3000 Micro , especially given its heavyset size .
The second is if you ’re looking for more slam , you ’ll want to look at other options . There ’s plenty of power , yes , but if you want more beef and room - judder power to the low frequencies , the 3000 Micro does n’t quite reach those low .
But this is an impressive compact subwoofer that adds excitement to take soundtracks . If you ’ve got a small system in a small elbow room , this powered sub offer sight of cinematic bang .
Trusted Score
How we test
We test every subwoofer we review exhaustively over an extended period of sentence . We utilize industriousness standard tryout to liken features decent . We ’ll always tell you what we find . We never , ever , accept money to refresh a product .
determine out more about how we test in ourethics policy .
FAQs
The frequency range of a function is 23Hz to 240Hz .
