notion : It ’s that clock time of year ( natural spring if you must have intercourse ) , where launches are coming thick and fast . New devices are blooming and in theSonos Era 300 , we have a speaker that does something that genuinely feels as if it ’s advertise the wireless audio mart forward .
By now , Dolby Atmosisn’t a ‘ newfangled ’ thing by any agency . It ’s been around for more than ten twelvemonth , infiltrating cinema , home cinema , phone , wireless speaker and filtering through to gambling and even smartphones . TheAmazon Echo Studiois the first wireless speaker I have intercourse of where it was build from the ground up to playDolby Atmos music . So , it ’s not as if the Era 300 is ground - break or innovational in that sense . Even theApple HomePodcan output in Atmos .
But it does feel as if , while Dolby Atmos proceed to cement its condition as the top audio dog in the film and TV mart , it ’s struggled to make the same wave in the euphony securities industry .
It has not been for a deficiency of crusade . More music is being made and overcome with Dolby Atmos uppermost in artists ’ considerations . There are more and more mastering suites belt down up ( I ’ve been toat least threeof them in London ) , and cyclosis services are pick up and secrete medicine in Dolby Atmos , from Tidal toAmazon Musicand Apple Music . But the way in which to hear all that euphony is still special , at least for wireless speakers .
And that really is what spatial audio needs to take off with music ; a product offering a good sense of three - dimensionality in a room and not just in your head like a pair of phone . It ’s debatably what has kept Sony’s360 Reality Audiofrom gaining more grip within the food market , that it has n’t been picked up by more services and make ; and mayhap what ’s defeated many other 3D audio frequency tech , though there is a society called Audioscenic that ’s looking to alter thing . Keep an heart out for them …
But back to Sonos , and the Era 300 can send away strait up and to the sides and , depend on the right runway , even attack music towards the hearing berth . There are drawbacks , as always , in that I ’ve ground this spacial effect to be very directional , i.e. you need to be sitting in the sweet spot to get the just effect . Another job is that like a stereophonic track , not every Atmos track is organise to produce the same essence . Each creative person and technologist have their own philosophy and whimsy about how Atmos can serve their track .
But that is what ’s interesting about Atmos , that it can be so varied in its execution , and the earned run average 300 brings that out more successfully than other loudspeaker I ’ve take heed to . Listening to music in the house postulate a number of jolt , and the Era 300 is that bolt of lightning that could give it some more succus .
