Verdict

This gamy - end beamer deliver incredibly smart and pin - sharp 4 KB pictures that will light up the biggest projection screens . Accurate HDR tincture map , category - lead image processing , and silky fluent movement also yarn-dye , wee-wee this a dandy choice for the well - heeled cinephile .

Pros

Cons

Key Features

Introduction

The Sony VPL - XW7000ES is on of the latest additions to the party ’s line - up of aboriginal 4 K projector , all of which now use a phosphor laser light source , the X1 Ultimate for Projector processor , dynamical HDR Enhancements , and Motionflow frame interpolation technology .

Since the XW7000ES is the high - last model , it also has a take light that reaches a retina - cauterize 3,200 lumens , plus motorised lense control and memory , Sony ’s Advanced Crisp Focus ( ACF ) lens , and accompaniment for 3D. deplorably there are no HDMI 2.1 inputs .

If your budget is more constrained you could also take a look at the VPL - XW5000ES , although this model drops a telephone number of key features , but how does the XW7000 compare to its cheaper sib , not to mention its direct rival theJVC DLA - NZ7andDLA - NZ8 ?

Design

The Sony VPL - XW7000ES looks identical to the XW5000ES , with the same angled design , and centrally - climb up lens . There are line intake grilles across the entire front , exhaust vents at the rear , and some basic control on the left hand side as you face the lens .

The XW7000ES is slightly turgid at 460 x 210 x 517 mm ( WxHxD ) , and weighs more at 14 kg , but offer the same choice of matte black or lusterlessness livid . The build quality is also exchangeable , which is unsatisfying considering it ’s more than twice the damage of the XW5000 .

One orbit where the two take issue is the lens assembly , with the XW7000 using an Advanced Crisp Focus ( ACF ) lens , which resolves more particular . The lens controls are also motorise , make setup easier , and there are lens of the eye memories to make dissimilar options for narrow aspect ratios – handy if you have a 2.35:1 sieve .

The association are place in a recess below the side controls , and just like the XW5000ES you ’ll find twoHDMI2.0b input , an Ethernet port and RS-232C connector , a 12V gun trigger , an IR input jack , and a USB embrasure for power . Unlike the brassy model , there ’s also a 3.5 mm 3D Sync Out jack for tie in an extraneous 3D emitter .

While the deficiency ofHDMI 2.1inputs may be understandable on the more affordable XW5000 , it ’s very disappointing on the higher last model , and their absence intend the XW7000ES ca n’t handle 4 K 120Hz orHDR10 + . The JVC projector not only have HDMI 2.1 comment , but also support both features .

The remote is the same great and backlit zapper admit with the XW5000 , but with a couple of extra controls related lens retention and 3D. Once again the button are pose out in a sensitive fashion , the remote control is comfy to hold and use with one hand , and includes all the control you ’ll need to setup and operate the XW7000 .

Features

The Sony VPL - XW7000ES use on the button the same 0.61 - in SXRD chipset as the XW5000ES , which delivers native 4 K ( 3840 x 2160 ) images . The projector also has a refresh rate of 120Hz , although thanks to the deficiency of HDMI 2.1 input this high form rate only applies to resolution up to 2 K ( 1920 x 1080 ) .

The peak brightness level of the optical maser phosphor light source hits a whopping 3,200 lumens , making it is considerably brighter than its cheaper sibling . An yield this blinding means the XW7000 can illume up gravely large screenland without a noticeable bead in performance , as well as pitch HDR with better highlights and image brightness .

It also make up this beamer ideal for less - than - ideal rooms with livid wall or big window , although the darker you may make the environment the better your experience will be . The claimed lifespan is up to 20,000 hours , which essentially intend you may love a decade of film watching without having to worry about change a lamp .

The wide dynamic compass eye and Triluminos Pro algorithm promise deeper blacks , more concentrated colours and improved contrast ratios . In accession , Sony ’s X1 Ultimate processor has been optimised for projectors , bringing its in advance upscaling and peerless image processing to this beamer ’s bragging screen picture .

There ’s also objective - base HDR remastering and dynamic HDR enhancement , with support for HDR10 , HLG , and evenIMAX Enhancedcontent . Although as already mention , the lack of any HDMI 2.1 inputs precludes support for HDR10 + and the benefit of its dynamic metadata .

There ’s Motionflow frame interposition for fast - paced play action , and a depressed - rotational latency secret plan modality for a reduced input lag . In the case of the latter , I measure lag at 2K/60 at 28ms , but this dribble to 20ms with 4K/60 , and last as humiliated as 12ms with 2K/120 . Although irrespective of rootage , these response times are unbelievably fast for a projector .

Unlike the XW5000 , the Sony VPL - XW7000ES supports 3-D but there ’s no build - in emitter , so you ’ll call for to buy a compatible third - company emitter and connect it to the 3.5 mm 3-D Sync Out jack . The undecomposed news is that once you ’ve got an emitter and glasses , the incredible cleverness have grand 3D with no crosstalk .

Performance

The Sony VPL - XW7000ES is bright , really shiny . The claimed peak luminance of 3,200 lumen is no idle jactitation , and not only means this projector can light - up really gravid screen , but also means it can extradite very punchy HDR highlights . Of course , the brighter a projector , the harder it is to retain really deep blackamoor , and so it proves here .

Sony claims the XW7000 has a contrast ratio of infinity to one , but this measurement can only be achieve by turn the laser light off , so unless you spend all your time take care at a bootleg screen it does n’t represent actual viewing material . In reality , the contrast proportion is closemouthed to 30,000:1 , which is in force than the XW5000ES , but less than half that of the JVC NZ8 . The black story certainly do n’t reach the inky-black deepness of the latter either .

The combining of the aboriginal 4 K ( 3840 x 2160 ) chipset and Sony ’s Advanced Crisp - Focused ( ACF ) lens consequence in wonderfully detailed and distortion - devoid images , along with broad dynamic range optics that help boost the HDR carrying into action . Once you sum up in Sony ’s peerless processing wizardry , you get prodigious levels of definition that will have you win over that an upscaled gamy quality 1080p source looks more like 4K.

I set up the Reference photograph mode rise very accurate out of the box , and the wide calibration ascendance can be used to dial in a nearly - perfect picture . If you palpate you need a piece more poke you could use the Bright Cinema image fashion , but it ’s not as accurate , ensue in downhearted whites and over - saturated color . It ’s pleasing to see that in both SDR and HDR , the Reference modality survive up to its name by matching the manufacture standards for both formatting .

you’re able to change the optical maser luminance to suit your screen , but unless it ’s a walloper , or your room has blanched walls , you ’ll probably take to dial it down a tad . This will also help with the perceivedblack levelsand contrast proportion , although the Dynamic Control can also be used to adjust the contrast performance , but at the disbursement of some phantasma detail .

Sony ’s Reality Creation item sweetening applies sharpen to any resolution , including 4 K , but is so sophisticated that it achieves this without introducing distracting artefact . apparent motion handling is socio-economic class - leading , appear runny and free of judder or other issues , even without employ Motionflow . Although for fast sports the frame interjection feature can be good .

All these skills are add to bear when watch Avatar on Blu - ray , and the Sony does a rattling business of upscaling the image and squeezing every picture element of detail out of the CGI landscapes . The scene where Jake and Neytiri fly together is render with sleek smooth bm as they hang glide through the sky , and the True Cinema setting is especially effective at reduplicate the 24p inning rate to annihilate judder without introducing artefacts .

When it fall to HDR , and specifically tone mapping , Sony ’s Dynamic HDR Enhancer is designed to change the contrast and laser luminance depending on the overall content . However , this is n’t dynamically adapt the tone map on a build - by - frame basis like the JVC projector , and as a result the latter offer a more pernicious and nuanced HDR experience , with crisper highlights and lucubrate shadow particular .

you’re able to attempt to tweak the XW7000ES ’s HDR carrying out by changing the dynamical HDR Enhance mount , as well as crushed the optical maser luminosity to meliorate the blackened levels . However , doing the latter means the Sony loses its brightness vantage over the 2,500 Lumens produced by JVC NZ8 . The dynamic laser setting can also aid , but like the JVC you will now and then see this dim feature at workplace .

ascertain Top Gun : rebel in HDR perfectly show the strengths of the Sony , with sear desert sands , and sunlight gleam off the aircraft canopy . The mental image almost leap off the screen , and the splanchnic sensory faculty of naturalism is overwhelming . At the other final stage of ordered series , the shift to dark in 1917 begin with an almost black scene before being illuminate by falling flares . The Sony VPL - XW7000ES really gives those flares a brightness level explode , but scramble to render all the shadow details hidden in the darkness .

It ’s a pity there ’s no funding 4 K 120 eminent - frame - rate gaming , because in all other respects this an excellent ( if expensive ) projector for gamers . Thanks to its bright and elaborate icon , as well as its peerless motion treatment , the performance with SDR is superb , while HDR gambling is often exceptional due to the laser light germ and HDR enhancements . The overall gambling experience is unruffled and antiphonal in the consecrate game mode , and the long laser life story means you never have to worry about the image blur due to marathon gaming session .

Ultimately , if you have sufficient funds the XW7000ES deliver significant improvement over the inexpensive XW5000ES , aid to justify the price premium . The trope is sharp thanks to a higher-ranking lens , and significantly brighter , which results in a punchier HDR experience . The processing and motion handling remain body politic - of - the - artistry , while the add-on of 3D support , motorised lens ascendance and exposure situation memories are all welcome .

However , for a slight extra you may grease one’s palms the JVC NZ8 , which trump the XW7000ES in certain central area . The Sony is obviously promising , upscales 1080p with greater preciseness , and handles motility well , but the NZ8 has higher-ranking blacks , a broad colouring material gamut , HDR10 + support , and dynamic tone mapping that ’s good in socio-economic class . The inclusion body of HDMI 2.1 is also important , not of necessity for 8 K , although that ’s nice to have , but because it give up for 4 K 120p next - gen gaming . You could even save some money , and go for the cheaper JVC NZ7 , which retains most of the feature of speech found on its more expensive stablemate .

While the JVCs may have the sharpness in footing of overall carrying out and features , if you ’re planning on a screen so big it will match the Odeon in Leicester Square , or your interior designer insists on white walls and bay laurel windows , the Sony VPL - XW7000ES is belike the better stakes .

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Should you buy it?

: An eye - blistering tiptop output of 3,200 lm mean this beamer not only treat the large projection screens , but also deals with less - than - ideal way that have light - coloured rampart or bountiful windows .

The lack of any HDMI 2.1 stimulation means that despite technically being able to handle mellow frame rates , this projector ca n’t display game at 4 K 120Hz , nor does it support HDR10 + with the welfare of dynamic metadata .

Final Thoughts

The Sony VPL - XW7000ES is an undeniably impressive native 4 K projector that delivers super - bright and punchy big screen figure of speech , thanks to its foresighted - life laser lightheaded source . The truth is excellent , the image processing and motion handling are class - extend , and effective tone mapping allows this beamer to get the good out of HDR .

It ’s not perfect of course , and the lack of HDMI 2.1 inputs really disappoints in a projector at this cost , result in the XW7000 being unable to support HDR10 + or 4K/120Hz . In summation , the colour gamut could go wider , the black stratum dig a little deeper , and shadows keep back more detail ; but overall this high - end projector delivers the commodity .

The problem for Sony is the JVC NZ7 and NZ8 offer a good deal more goods , and do most of them better . They have deeper blacks , wide colour gamuts , superior dynamic tone mathematical function , and HDMI 2.1 inputs with support for HDR10 + , 4K/120Hz and even 8K/60Hz . That ’s enough goodies to keep even the most demanding home cinema fan happy .

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We test every projector we review exhaustively over an extended period of prison term . We usePortrait Displays Calman colour calibration softwareand industry standards to compare features properly . We ’ll always say you what we find . We never , ever , accept money to review a product .

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FAQs

With the XW7000ES you get funding for three-D , a eminent dividing line proportion , a higher brightness level and a sharper effigy thanks to a higher-ranking lens of the eye .

Full Specs

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