Sony A9 III Review

A camera with too many stand-out features to mention

Sony ’s flagship A9 III mirrorless camera has no shortage of stand - out features . The 24.6MP full - frame sensing element delivers rich range , the form quality is rock’n’roll - solid and the camera is open of hitting ridiculously fast shooting speeds . The terms is by all odds aimed at professionals , but this is a not bad camera for those who can suffer it .

Pros

Cons

Key Features

Introduction

Any lensman worth their saltiness will be aware that to attain the respectable image possible with a mirrorless tv camera , you postulate one with a full - human body sensor , tantamount in size to a traditional 35 mm film skeletal frame .

Such chips are typically found in the most expensive , compass - lead digital cameras , of which the DSLR - resemble Sony A9 III is its manufacturer ’s latest lesson .

The brand has gone one step further with the A9 III , however , integrate the cosmos ’s first full - frame heap CMOS image sensing element with a global shutter system . This allows for the seizure of stills and videos without any trilled shutter .

Sony A9 III

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Freed from the limitations of mechanically skillful shutter , the promise here is that user can now germinate up to a blisteringly fast 120 fps without camera brownout . The hypothesis is that the camera can capture moment even the naked middle can not register , thanks to a maximum shutter swiftness of 1/80,000 sec , or 1/16000 sec during continuous shot .

Unsurprisingly , in this regard , the camera suggest itself as a benchmark instrument for sports or wildlife photography , though its terms tag end puts it out of the orbit of all but the most dedicated or monied photo hobbyist .

So , is all this watershed technical school actually worth pay for ?

Sony A9 III

Design and handling

The characteristic - fat Sony A9 III is a chunky animal even without the likes of the G Master series FE f/1.4 50 mm lens we attached .

The consistency alone finger heavy in the palm with its large handgrip , a refinement found apparently on user feedback , already proving a stretch for my finger’s breadth . With my quarter round resting on the pad at the back , my forefinger naturally hovered over the forward - slanted shutter release clit , which is , in turn , encircle by an on / off telephone dial .

So far , so ergonomic and intuitive .

Sony A9 III

Outwardly resemble a DSLR and boasting the kind of control condition layout you ’d expect to detect on that data formatting of camera , it ’s percipient from the off that this mirrorless example is a professional ’s cock .

For those shooting handheld , the weight of the body and lens combined ensures the television camera posture steadily and well balanced in the hired hand , while five - axis vertebra in - trunk double stabilisation – here tantamount to eight stops – also help preclude image blur .

I mention the 120fps gaining control hurrying in my introduction . Sony attain this by utilising AI to turbo - burster execution and acquit out the required 120 AF / AE focus figuring per moment , as well as being capable to synchronize shooting stop number with use of blink of an eye . That ’s if using Sony ’s separately available HVL - F60RM2 or F46RM unit .

Sony A9 III

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talk of focal ratio , you wo n’t be surprised to see Sony ’s in style propagation Bionz XR processor on board the A9 III , with the impressive promise of being eight times more powerful than anterior version .

We found the photographic camera responsive enough that I shortly stopped thinking about how it operated all . The camera just go and work fluidly , allowing you to concentrate fully on the subject matter .

As well as burst or continuous shot , there is , of course , the power to take a more considered approach and pullulate a shape at a clip . Here , again , I found the television camera locked onto targets before I ’d even note , with a squeeze of the shutter release button atop the handgrip instantly commit the jibe to a memory poster .

Sony A9 III

Though I initially found the deficiency of a mechanical shutter and familiar clunk disconcerting , there is the ability to turn off silent shutter musical mode and rather try an audio sampling of a shutter firing off , which at least reassure me that the unit had in reality taken the shot .

While there is much about the Sony A9 III that feel familiar , at the same time much about it feel alien .

Features

place at king users , the Sony A9 III offers up dual card slots , each of which , in turn , can house either a CFexpress or regular South Dakota sensitive card . This increases the photographic camera ’s handiness and provides you with four slots in total .

While calm photography may be the main focus here , no wordplay intended , the A9 III is also the first model in Sony ’s long - run Alpha series to be able-bodied to capture 4 thou resolve video at a 120fps frame pace without cropping , or , alternatively , 4 K at 60p .

Battery life is good for up to 400 shots when using the heart - degree finder ( which I was ) , or 530 shots if swear alternatively on the touchscreen LCD monitor . The latter proves utile at times if you simply want to tap a portion of the frame to bias focus towards a special element and mechanically force out off a shot .

Sony A9 III

One domain in which this camera has been criticised is its core light sensitivity range , which seems lowly for this class of camera . It start out at a base of ISO250 , arise to ISO25600 . That said , this is substance abuser expandable if desired to ISO125 to ISO51200 .

At this price , a maximal effective resolving of 24.6MP from a 25.2MP sensor also feels a little underpowered . However , unless you want to shoot billboard - sized images , even with cropping , a 24.6MP range from a combination of this camera and lens deliver a sensational amount of contingent , so most users wo n’t need to worry .

Image quality

Photojournalists , sportswoman and wildlife photographers are the 1 who are going to get the most out of the A9 III ’s quicker - than - the - blink - of - an - eye response prison term and seamless performance . At multiplication , it almost felt like the AI was govern and control the photographic camera ’s response rather than myself .

That enjoin , if it ’s the type of jobbing photographers either find that one - in - a - million pic or not , then this feeling of relinquishing control is plausibly a sacrifice deserving hit .

Images direct out of the photographic camera are as item - rich as we ’d expect from a Sony with this stock and blood , with coloration capture with the camera in redundant o.k. JPEG mode come along well pure without being at all abnormal to take care at . The compounding of sensing element and our loaned 50 mm lens here raise some endearing , soft ‘ bokeh ’ personal effects , maintaining subject sharpness but subtly slur its surroundings .

Sony A9 III

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Overall , the Sony A9 III is capable of delivering a faithful rendition of the scenery in front of you , which is exactly what any photojournalist require and requires .

Should you buy it?

The tv camera ’s blisteringly flying reception and capture times are something of an industry game changer for those for whom clock time is , literally , money .

Or the now fairly standard 24.6 - megapixel top stills solving does n’t quite cut it for you .

Final Thoughts

Sony ’s kick upstairs DSLR - styled flagship A9 III mirrorless camera aimed at professionals and monied enthusiasts has almost too many suffer - out features to cite .

AI - fit to ensure it ’s quicker than the human middle at lock up onto a depicted object , determine focussing and capturing a stroke , this camera is as much about bench mark - bring up velocity as it is a rock - solid build quality . With a back - illuminated 24.6MP in effect full - flesh sensor delivering item rich imagery , it ’s pretty much the most cutting boundary of stills cameras at the time of composition .

The only roadblock to potential purchase is the centre watering price rag for anyone who is not considering the A9 III as a taxation - deductible way of creatively pull in a animation .

Sony A9 III

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How we test

We try every camera we review exhaustively . We habituate set tests to equate features properly and we use it as our chief twist over the review full point . We ’ll always narrate you what we find and we never , ever , accept money to critique a ware .