Verdict
The 5020 is a rich - sound , musical and powerful stereo speaker from Q Acoustics that entertains in spades .
Pros
Cons
Key Features
Introduction
The Q Acoustics 5020 is a bookshelf hi - fi speaker from the British steel ’s 5000 speaker serial .
It sits between Q Acoustics ’ 3000i and Concept series , set up as middleground for those looking to create a stereo system for euphony or home movie house environs package .
It combines lessons learned from the companionship ’s more reasonably priced series , while also incorporating engineering science from the Concept models to put up the respectable of both world – a moderately affordable stereo speaker with some high - end specs .
Design
You ’ve probably heard this before , not least from this writer , but it ’s no surprise that the 5020 bookshelf speaker looks very much like a Q acoustical speaker .
There ’s the hallmark rounded console and , once the magnetically impound baffle is off , the tweeter and mid - bass driver jazz group with the concentric lot around each cause unit , and glossy finish on its front control surface – it ’s a familiar raft .
At first coup d’oeil the 5020 ’s cabinet looks deep , though not as bass as the Concept 30 – 293 millimeter vs 319 mm . moot it ’s described as a bookshelf speaker , the 5020 is rather bighearted , and at 7 kg per speaker system heavy too . The 5010 model is more compact than this one is but also features a smaller basso driver .
They could be plonked on a standpoint of your own option , and Q Acoustics sells its own bespoke Q 3000FSi support that the 5020 could be screwed into ( it also sells wall brackets ) . The speaker only plunk for unmarried - electrify surgical process with no bi - wiring potential . Bungs are provided to stuff the rear port to aid manage the bass functioning and Q Acoustics recommends placing them with at least 0.2 megabyte of space behind them .
The primary aesthetic difference between the 5020 and Concept 30 is the type of cultivation on the speakers . The 5020 opts for the more natural flavor with a choice of four finishes in Satin Black , Satin White , Santos Rosewood and Holme Oak ( which is this sample distribution supplied for followup ) .
Features
Like the Concept 30 borrowed technology from theConcept 300 , the 5020 borrow from the Concept 30 . Although there is new technology built for the 5000 series from the ground up in the form of the Continuous Curved Cone intention .
uninterrupted Curved Cone design , pronounced C - cubed , is the raw mid - bass driver made from what Q Acoustic ’s described as a “ single , smooth , uninterrupted curving visibility ” . The heading is to ensure smoother integration with the mellow - frequency tweeter and superscript bass dynamics .
The high - frequency tweeter has also been hermetically sealed and mechanically keep apart ( essentially , it ’s float ) from the baffle to protect against the internal cabinet pressing or resonance produce from the mid - deep driver . P2P ( Point-2 - Point ) is internal brace that stiffen the cabinet to reduce low frequency vibrations and meliorate the stereo range of a function the Q Acoustics 5020 creates .
Other need - to - know inside information admit a frequency response of 53Hz to 30kHz , sensitiveness of 87.9dB and a minimal impedance of 3.3ohms ( a nominal impedance of 6 ) . Q Acoustics recommends a king supply of 25 – 100W from a partnered amplifier .
Performance
You know what else is familiar about the Q Acoustics 5020 ? How it sounds . This is n’t a million mile by from theQ Acoustics 3020istereo utterer . There ’s a similar fertility that has penetrate through many a Q Acoustics ’ speaker , the weighty and muscular down in the mouth frequency performance , along with the broad two-channel effigy .
But what ’s made clear from the 3000i series of loudspeaker system is the good sense of scale , energy , and power that the 5020 can produce . The fondness is notable , and I ’d say that the 5020 lacks the Concept 30 ’s levels of preciseness and sharpness ( at least from what I can recall ) – this is n’t the most analytic or revealing stereophonic system speaker , but once the right volume has been institute it is staggeringly fun listen .
Partnered with the Cambridge Audio duo of theCXN v2and CXA61 ( and connect via QED Reference XT25 cables ) , the 5020 exudes a fluid , deep and musical sense of flow with music . With Jorja Smith ’s Addicted ( Qobuz ) the 5020 beguile the size and weighting of the low frequencies that underpin the birdsong , but that bass does n’t become the sole focus of the song , it ’s taut in description and does n’t impinge on the midrange .
There ’s good Libra to be heard here , and the soundstage discover is capital B self-aggrandizing . I ’m not indisputable I believe Q Acoustics ’ line about the speaker putting the auditor in the thick of the euphony “ without assign itself at the warmheartedness of your space ” . With the right caterpillar track I witness both program line are rightful .
And the high - frequency performance is bright , but it does n’t inevitably sparkle with a raciness of splendour in Water Traveller from Joe Hisashi . But I chance myself not heed that slightly relaxed approach to gamy frequencies that I discover . There ’s still a decent decay to trailing edges of treble notes and luminousness still registers – it ’s not dulled in any sense .
There ’s a impressiveness that pervades across the totality of the frequency kitchen range and I ’ve love how the treble is integrated within the overall performance – the Q Acoustic 5020 ’s sound feel like a cohesive whole . I only intend to listen to a few tracks from Isfar Sarabski ’s Planet ( Qobuz ) but ended up listening to most of the record album .
Despite the cornucopia , the 5020 is no slouch in terms of rhythmic power – it ’s dynamic , the bass is obese and agile , transitions from tight to slow and vice versa are handled well , and the profuseness of the midrange / low frequencies brings out a lovely sense of particular and weight as a double bass is being plucked in Limping Stranger .
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Should you buy it?
: The tonality of the 5020 may transfer with whatever solidification - up you have , but with a Cambridge Audio set - up it produced a lively , up-and-coming , and fun performance .
The 5020 are big , bigger than the 3000i series so if you have a modest room perhaps prefer for that series instead .
Final Thoughts
In my idea , the 5020 carries on from the gravid piece of work established by the more affordable3000iseries , but land more scale , get-up-and-go , and weight unit to its performance . It does n’t have the preciseness of theConcept 30I would say , it ’s not as revealing but the truncheon is surpass on in terms of being fantastically entertaining .
Its size may leaven an result in terms of retrieve space for it , but this is another zinger from Q Acoustics : a great - looking and musically entertain speaker from the company .
Trusted Score
How we test
We test every hi - fi speaker we brush up good over an extensive period of meter . We use industry - standard test to compare features right . We ’ll always tell you what we get . We never , ever , admit money to review a product .
observe out more about how we test in ourethics insurance policy .
FAQs
The 5020 stereo speaker only affirm individual - wired connectivity , so there ’s no supporting for bi - wire speaker terminus .
Full Specs
Sustainability
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