In June , Panasonic announced theLumix GH7 , the brand ’s previous Micro Four Thirds Lumix G flagship camera and successor to theLumix GH6 .
Here ’s how the hybrid GH7 compares to Panasonic ’s top stills camera , the Lumix G9 II .
The Panasonic Lumix G9 II is more lightweight
When it total to design , the Panasonic Lumix GH7 and the Lumix GH9 II deal similar builds .
The GH7 has a slop top and a inscrutable clutches and the physical control and dial are slightly different on the two photographic camera . However , the dimensions are very stuffy and you ’d be able-bodied to secernate that both cameras are in the same family a mile aside .
The boastful physical difference between the two tv camera is their weight . The 658 guanine G9 II weigh almost 150 grams less than the 805 g GH7 , build it a slightly more convenient selection for pack out and about .
The Panasonic Lumix GH7 supports ProRes RAW HQ
Unlike the Panasonic Lumix G9 II which focuses primarily on stills , the Lumix GH7 localize its own emphasis on video .
One of the GH7 ’s standout feature of speech is the power to enter ProRes 422 HQ TV in 5.7 KiB at up to 30p , as well as ProRes RAW HQ video , internally . This does require a CFexpress Type B card instead of the standard SD data formatting , but give the GH7 the potential to be used to charge everything from kin video recording to professional - level films .
The G9 II is also adequate to of record 5.7 K 30p ProRes 422 HQ television , but recording and playback are only supported via an external SSD .
The Panasonic Lumix G9 II features better image stabilisation
The Panasonic Lumix G9 II offers slenderly higher image stabilisation compared to the pricier Lumix GH7 .
The G9 II include up to 8.0 stops of 5 - axis vertebra mental image stabilisation , whereas the GH7 is equipped with 7.5 stops of 5 - axis image stabilisation , giving the onetime G9 II a slight edge in this field .
The Panasonic Lumix GH7 offers 32-bit float recording
Finally , Panasonic arrogate that the Lumix GH7 is the public ’s first mirrorless television camera to support 32 - bit float audio recording .
This lineament does ask you to find fault up the £ 499 XLR2 adapter , but once you have the adapter you’re able to connect two XLR mics at one clock time and draw a blank the pauperism to adjust audio recording levels whilst shoot down . With 32 - morsel float recording , you ’ll no longer need to worry about countersink the gain in more difficult conditions , as you’re able to merely conform them in post - production after down the line .
