Verdict
The Marantz Cinema 50 combines a hardcore dwelling cinema spec with a chic , present-day purpose . Features admit future - proofread 4 K 120Hz HDMI inputs , a crisp new user interface , and bullet proof HEOS multiroom Hi - res streaming . in the end though , it ’s the amp ’s gorgeous musicality and dynamical manner of speaking that has us bear two pollex enthusiastically aloft .
Pros
Cons
Key Features
Introduction
Marantz repose claim to the eminent - destruction of rest home film with the luxuriously fit out Cinema 50 , a powerful Dolby Atmos amplifier with a sense of style .
The Cinema 50 doorkeeper in a new era for Marantz ’s house theatre aspirations . The brand ’s traditional fascia blueprint , with busty edges , has been hit the sack . Adopting pattern pool cue established by Marantz Hi - Fi separates , the new tone is needlelike and mod .
It ’s different beneath the hood too . There ’s a retread HEOS connection module , which has enable a sharp user user interface , future proofHDMIconnectivity and nine channels of 110W ( into 8 Ohms ) muscle .
If you ’ve been holding back from replacing a pre - Dolby Atmos AV receiver , this beauty might be the beast that finally convert you to upgrade .
The Cinema 50 is available priced at £ 1,700 . Stateside you may expect to pick one up for $ 2,500 . Note that in the US , the Cinema Series are all AV telephone receiver . In the UK and Europe , they are AV amplifier , with the exception of a special DAB edition of the Cinema 60 .
The model on run here is positioned just below the Cinema 40 , an 11.4 canal 125 watts AV amp , and above the seven line , 100 - Watt per television channel Cinema 60 . The brand ’s Cinema Series entry - level model is the 50W Cinema 70 .
Design
root on by the dress sense of Marantz ’s two - groove amplifiers , the Model 30 and Model 40n , this Cinema Series freshman features straight , symmetrical bound and a stylised textured finish . Available in black or silver Au finishes , it ’s likely the first Ab amp I ’ve seen in an eld that could be describe as elegant , despite its 13.5 kg bulk .
The front fascia features volume and source excerpt knobs , positioned either side of the traditional Marantz porthole display . In truth , this is n’t the most utilitarian of displays , particularly if you attempt to use it to voyage the various bill of fare , but it ’s unclouded enough to confirm sources and volume ascendency . That order , the belittled porthole is n’t overly distracting in the dark way , so you wo n’t feel the need to damp the presentation altogether .
The A come with a slim , well made remote control . A backlight button , put on the right bound , illuminates the keys for dark way use of goods and services .
For those who favour a more hands - on approach , there ’s a commit - down fascia fuss that pop the question some more on - board controls , plus a USB - A association and mic setup jackass . However , there ’s no front - mounted HDMI input on this exemplar , so no light hook - up of local gear ( laptops , biz systems and so on ) .
Rear connectivity compensates though . There are six HDMI input , plus three outputs , oneeARC / ARC compatible , a junior-grade monitor output for a projector , and a third to patronise Zone 2 .
All HDMI inputs support 4 K 120Hz / 8 K as standard . The amp also upscales lesser sources , if call for . HDR support coversDolby VisionandHDR10 + , and there’sALLM(auto low latency fashion ) top - through .
Additional port let in four digital audio inputs ( divided between coaxial and optical ) , five analogue inputs , phono for a vinyl record pack of cards , and four subwoofer outputs .
If you ever hanker to upgrade , there ’s also a full 11.4 savings bank of preouts , including a stereo Zone two output . Wireless keep coversBluetooth , Wi - Fi , andAirPlay 2 , while streaming and multiroom are courtesy of the HEOS chopine . A distich of rear end - mount Wi - Fi , Bluetooth antennas hump in left and right .
To integrate the A with an electric screen , there ’s also a 12v induction , plus an RS-232c port .
Features
As you would expect of any AV adenylic acid deserving its common salt , room calibration is part of the deal . Here EQ is handled by Audyssey MultEQ XT32 , and executed as part of the initial frame-up routine . There ’s a Audyssey standard microphone offer for the task .
Able to measure and combine up to eight listening attitude , this iteration of Audyssey improves scaffolding and sonic lucidity by take into account your see elbow room ’s characteristic .
It works out the aloofness to your listening posture , sets channel levels and implements filtering to compensate for any acoustical nasties you may have . The adenylic acid certainly sound better after this routine has been executed .
The Cinema 50 also works with Audyssey ’s Windows PC - free-base package bundle , MultEQ - X , but this requires a licence to apply . You ’ll be able-bodied to take elbow room standardisation to another stratum completely with the Dirac Live calibration update that become usable in March – your local Marantz dealer can undertake this for you .
Like most users , I stuck with the even Audyssey MultEQ XT32 .
serviceability is good . The adenylic acid ’s updated UI looks as fresh as the improved cabinetwork . Overall sailing is fast and visceral .
An Info clit on the distant control provides at a glimpse info on the source signal , active channels and codec , and the essence of any post processing musical mode . you’re able to also call upHDR , firmness and colour space details .
Performance
Subtle , dynamic , tuneful , expansive – all these adjective can be apply to the Cinema 50 . This Marantz delivers everything I hope to find out in a high final stage home theater amp . It ’s a foodie popcorn machine , and I must confess to a tingling of exhilaration every time it ricochet to life history .
The stain has long enjoyed an enviable reputation amongst medicine lover for its two channel amplifiers , but when it come to home cinema , Marantz has for the most part play wingman to stablemate Denon .
On this grounds , that should soon alter . This fireball can throb just as effortlessly when it hail to blockbusters , movie soundtracks profit from layers of melodic nuance .
Marantz ’s signature tune HDAM gain circuitry is rightfully noted for its characteristically warm tonality . This manifestly serve the amp well when in two channel mode . The enticement to post process stereo to every channel is high though , just because it sounds so gracious .
The substantial excitement fare from aboriginal multichannel content . target placement and panning is unseamed , reinforcing the illusion of being cocooned in audio . basso delivery is fast and fundamental , adding a croaky kicking to Tom Cruise ’s Hornet squirt fighter in Top Gun : Maverick .
The Fire television set Dolby Vision and Atmos demonstration of a white water kayaker , is a expectant example of just how seamlessly the Cinema 50 knit its channel together – hear out as a huge wave roll overhead from the rear !
The Cinema 50 is sovereign with Dolby Atmos music , not just when it come to the placement of objects , but in its earnest delivery . The Avatar the Way of piddle soundtrack ( usable in Dolby Atmos , on Tidal ) , becomes a soaring , aroused listen .
Into the Water from the Simon Franglen score , tugs at the heartstrings with in high spirits frequency finesse , while ‘ Happiness is Simple ’ , with gallop percussion impel the midrange , has rhythm to spare .
There ’s an challenging carte du jour of audio modes and post processing options on whirl : Movie , Music , Game and Pure , plus Auro 3D , Auro 2D surround , multichannel stereo , regular stereo , Dolby Digital , Dolby surround , and DTS Neural X. The latter is particularly good for subject that ’s two duct at source .
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Should you buy it?
- : If you own a pre - Dolby Atmos AVR with out - dated HDMI connectivity , this Marantz more than warrants the investment .
keep your hard currency until you ’re quick to promote the residue of your home base theatre of operations .
Final Thoughts
The Cinema 50 is a hugely impressive AV ampere from a brand perhaps not well know for home cinema . It ’s well fit , with provision for both 8k source ( which may become a affair at some point ) and 4k 120Hz , which is substantial for gamers with next - gen consoles .
It ’s also one of the few AV amplifier out there correctly now which is a real head - Frederick Jackson Turner when it fall to design and construct quality .
Ultimately though , it ’s the auditory sensation of the Cinema 50 that provides the most compelling ground to upgrade . The Cinema 50 is a nigh on gross domicile cinema performer .
Trusted Score
How we test
We screen every AV amplifier we reexamine thoroughly over an extended time period of time . We use industry standard tests to compare features properly . We ’ll always severalize you what we find . We never , ever , bear money to review a product .
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FAQs
An update in March 2023 should have added Dirac Live keep to the Cinema 50 , though for the full software package you ’ll take to buy a permission from Dirac .
Full Specs
Sustainability
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We currently have n’t received answers to the questions on this product , but will update this pageboy the present moment we do . you’re able to see a detailed crack-up of the questions we ask and why in oursustainability page .
