Verdict
JVC ’s range - topping behemoth represents the zenith of projector technology , birth cinematic vistas that outperform any rival regardless of monetary value . Superb characterization accuracy , fabulously abrupt images , peerless contrast and class - leading HDR will enjoy the most demanding of film fans .
Pros
Cons
Key Features
Introduction
The JVC DLA - NZ900 is the brand ’s tardy flagship mannequin that builds on the old generation ’s already social class - pass functioning by bring a freshly redesigned D - ILA chipset and upgraded 8K / e - shiftX processing .
It retains the long - life BLU - Escent laser illumination source , high - character 100 mm all - glass electron lens , and 2d generation active tone mapping , but increases the claimed output to 3,300 lumens and contrast to 150,000:1 .
New features include a Deep Black occasion , Balanced laser dimming setting , and intense delineation mode , along with more elaborate control the laser ’s output . In add-on theHDMI 2.1inputs support 8K/60Hz and 4K/120Hz .
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Price
The JVC DLA - NZ900 is available now , and retail for £ 24,999 in the UK , $ 25,999 in the US , € 25,999 in Europe , and AU$40,999 in Australia . Clearly this represent a significant fiscal outgo but at least you ’ll lie with your investiture has result in the dear projector money can bribe .
The NZ900 ’s master competitor is the Sony Bravia Projector 9 ( VPL - XW8100ES ) , which retail for £ 25,999 in the UK , $ 31,999 in the US , € 25,999 in Europe , and AU$42,999 in Australia . However , the JVC is the superior beamer in terms of sharpness , contrast , features and overall execution
Design
The JVC DLA - NZ900 use the same huge matte black form the brand first introduced two propagation ago , but thanks to the excellent build calibre and addition of the 100 mm all - glass lens this model is an absolute brute that measures 500 x 234 x 505 mm ( WHD ) , and weighs in at 25 kg .
There are air travel intake vent located at the rear , and exhaust vents at the front flanking the lens . This not only means that hot air is blown forward , but also makes the fans easier to hear . This beamer is clearly aimed at dedicated home cinema installations using a permanent standpoint or roof mountain .
The front of the NZ900 is dominated by its 100 mm all - glass lens , which is the main difference between it and the cheaperNZ800 . The super - high - quality glass is compound with an 18 - element , 16 - group full aluminium lens barrel , which has a extra gamey line coating on the inside designed to stamp down reflect light and thus amend the overall black level carrying out .
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At the rear are two HDMI 2.1 inputs , both of which support bandwidths up to 48Gbps and accept 8K/60Hz and 4K/120Hz – with the latter indisputable to please gamers . The HDMI interface also pass HDCP 2.3 , 3-D and high dynamic compass – specifically HDR10,HLG(hybrid log - gamma ) , andHDR10 + .
There ’s a 3D synchro embrasure for the optional emitter , RS232 and Ethernet ports for serial control , a USB port for microcode update , and a 12V initiation for enjoyment with a motorise expulsion screen .
The provided distant control looks identical to the previous generation , but enjoys a distich of minor tweaks with a more luminescent light button , and small bump on the king and get in button – all of which makes the zapper even easier to use in a melanize - out home movie theatre .
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Features
The JVC DLA - NZ900 let in the brand ’s proprietary Gen3 0.69 ” D - ILA ( LCoS ) 4 K chipset , which is more efficient thanks to a newfangled layout . This allows for bright images , deep blacks , and better uniformness , with a claimed luminosity of 3300 lumen and contrast proportion of up to 150,000:1 . These bigger numbers compared to the similarly - specified NZ800 are largely due to the 100 mm electron lens .
The NZ900 also boasts JVC ’s Gen2 8K / e - shiftX equipment , which physically shift each pixel by half a picture element in four guidance ( up , down , left and right ) , allowing for a full 8 K ( 8192 x 4320 ) icon , but uses improved upscaling for increased edge and detail across a wide range of mountains of content .
The new Deep Black purpose utilize a revised algorithm to enhanceHDR contrastwithout crushing shadows . In improver , the dynamic laser control has a new Balanced background for even punchier picture without insert the trouble brightness level pumping seen on the previous coevals .
The optical maser power is check by a slip scale scene that lead from 1 to 100 but is more granular in terminus of ascendance , allowing you to boost the luminosity without a sudden increase in sports fan dissonance . There ’s also a new lifelike style for watching sports or play in way with ambient lighting .
The NZ900 continue JVC ’s BLU - Escent optical maser diode light informant with its take 20,000 - minute lifespan , along with mechanise focus , zoom and shift mastery , plus lens memories for unlike screen aspect ratios . There ’s also aFilmmaker style , along with ISF - certified standardization controls .
The late proprietary Gen3 Frame Adapt tone single-valued function remains class - leading when it comes to dynamically analysing HDR10 content on a frame - by - frame basis and optimising the double to redeem blacks free of crush and highlights that are n’t clipped . There ’s also the Theatre Optimiser configurations that enhance the tone single-valued function by countenance for a blind ’s size of it , look proportion and gain .
The NZ900 can read the Display Mastering Luminance ( DML ) metadata that say the HDR tonicity mapping the peak brightness of the showing on which the content was earlier mastered . This is utile because the more metadata the tincture mapping has to work with , the better the results .
Finally , the NZ900 remains one of the few high - end beamers ( along with the NZ800 ) that still hold 3D – although you need to buy the optional emitter and active shutter glass , plus a 3D - substantiate Blu - ray player , to relish the immersive benefit of big screen three - dimensional action .
Performance
The JVC DLA - NZ900 is genuinely olympian in terms of its performance , and this bug out with its word-painting accuracy . Select the Filmmaker mode and you ’ll be rewarded with close - perfect pictures right out of the box , although given the price you should really get it professionally calibrated . In fact , once I ’d calibrate the NZ900 I was further impressed by the reference book level of accuracy .
This impressive carrying into action continued as I measure the contrast proportion , which strike a astonishing 140,000:1 in my blacked out home cinema . JVC are famed for their ignominious levels and the NZ900 is noteworthy , producing demarcation ratio that destroy any other projector – regardless of toll . As a event , the images it produce have a sense of dimensionality that only come from inky blacks .
The increased smartness is also evident , with the added brightness giving SDR and HDR greater punch . The more granular nature of the laser power setting allows you to boost the brightness of the NZ900 without the fan noise kicking up a appurtenance , which is also ready to hand . The Sony Projector 9 offers the same luminance , and it ’s one of the few areas where the JVC is n’t at once superscript .
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The NZ900 ’s colours are not only accurate , but also vivid and luxuriously nuanced thanks to the filter , which allow it to cover 100 % of the DCI - P3 extensive colour gamut . While this does reduce the brightness by about 20 % , it can be mitigated by bit by bit increasing the optical maser power setting . The Sony does n’t habituate a filter , so it ca n’t reach 100 % , and this is another area where JVC is better .
The 100 mm all - field glass lens is staggering in the sharpness and level of fine detail it can bring on perfectly complements the first - course of instruction processing , taking lower resolution substance and flawlessly upscaling it to 4K. When you feed it an 8 jet source , which no other manufacturer supports , the event are even more telling with the 8K / e - shiftX deliver breathtaking levels of resolution .
In full term of its performance with SDR subject matter the NZ900 is stunning , delivering accurate pictures with incredible levels of detail while still continue that all - important film - same quality . The new D - ILA chipset also ascertain forcing out with excellent uniformity and geometry , plus no annoying bright recession . The telling processing also ascertain clarity with no banding or grading artefacts .
The motion handling is broadly speaking telling , with smooth images gratis of judder , blurring or other undesirable artefacts . With 24p content I ’d in spades turn the clear motility drive off , but this feature can be utile for smoothing motion with video - based content like sport . However , this is one of the few areas where the Projector 9 has an edge because Sony ’s movement handling is excellent .
As practiced as this projector is with SDR , when it come to HDR it ’s in a class of its own . Those rich blacks and shining high spot combine absolutely with flawless dynamic tone mapping that expertly renders HDR to make full use of the format ’s increased dynamic stove and wide colours . In tests the NZ900 handled HDR as well as evenly expensive dedicated outboard video CPU .
Watching The Batman on 4 K disc expose the NZ800 ’s blackened level prowess , producing inky depths while still being able to tease out all the particular in the shadow during the film ’s numerous night scenes . This is where JVC is head - and - shoulders above any other projector maker , producing real black rather than dark greys , and the new Deep Black feature adds greater economic value .
At the other end of the scale the deserts and snow - cap mountains of Top Gun : Maverick look arresting , while the new D - ILA chipset and mellow quality all - glass electron lens bring out every pixel in the pulse - pounding aerial sequences . Here the 8K / e - shiftX really descend into its own , managing to give the already impressive native 4 K picture taking a bantam bit more sharpness , detail and depth .
The HDR10 is frequently breathtaking , and the NZ900 ’s musical accompaniment of HDR10 + let this projector to take reward of the data format ’s added dynamic metadata to deliver olympian image where the more exact tone mapping yield images great parallel of latitude and encroachment . The thought-provoking nighttime scenes in 1917 look great , and well than on any other display away from anOLED goggle box .
The fact the NZ900 supports three-D stimulate it something of a infrequency these days , and the performance is terrific with the JVC deport eye - popping dimensionality thanks to images that are bright , accurate , and completely spare of any ghosting . You ’ll want to purchase the optional RF emitter and dynamic shutter glasses , but if you ’re a 3D lover you ’ll perfectly love this awesome beamer .
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Finally , gamers will be equally happy to learn the stimulant lag is only 36ms with low latency turned on . This resultant role in enjoyably responsive secret plan play , and once you include the 4K/120p supporting and laser easy generator , the NZ900 is an splendid , if expensive , gaming alternative . But this is the one other country where the Sony has a slight sharpness , with its input lag being even lower at 18ms .
Should you buy it?
The NZ900 turn in the well possible picture quality with incredibly astute and detailed paradigm , peerless line performance , class - extend tone single-valued function and superb accuracy . Other beamers are lustrous , but none calculate salutary .
The NZ900 might deliver the salutary potential photo character , but even at 3300 lumens it ’s still tops out at around 300 inches . So for large screen sizes you ’ll need to look at ace - bright and ultra - expensive beamers from Sony , Barco and Christie .
Final Thoughts
The JVC DLA - NZ900 represents the best high - ending projector currently uncommitted , and while there are surely smart ( and considerably more expensive ) beamers from the like of Sony , Barco and Christie , none are as impressive in term of characterisation character , double accuracy or feature .
The NZ900 has it all from the eminent contrast of any projector I ’ve ever measured , to an incredibly sharp and detailed 100 mm all - drinking glass lens that compact every last pixel out of the JVC ’s power to display an 8K/60Hz sign . The dynamic tone mapping produce HDR that rivals the best video central processor , while the HDMI 2.1 inputs also support 4K/120Hz . There ’s even 3-D and HDR10 + .
In fact it ’s heavy to discover fault with the NZ900 , and when liken it with its direct competitor the Sony Bravia Projector 9 , the only region where the latter has the boundary is in term of move handling and a somewhat low input lag . Otherwise JVC ’s range - opera hat stand for the zenith of projector technology and performance , making it the beamer all cinephiles should aspire to .
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How we test
We test every projector we review thoroughly over an prolonged period of time of metre . We use Portrait Displays Calman colour standardisation software package and industry standards in a dedicated reference home plate movie theater to fully evaluate feature and performance . We ’ll always tell apart you what we find , and we never , ever , accept money to review a ware .
find oneself out more about how we test in ourethics policy .
FAQs
This projector can display HDR10 , HLG , and HDR10 + content , but does n’t support Dolby Vision
This projector does support 3D but you will need to purchase the optional transmitter and active shutter glasses .
Full Specs
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