Verdict
JVC has evolve its mid - range 4 K laser projector , add together a redesign D - ILA chipset and upgraded 8K / e - shiftX to deliver one and only black levels , increased brightness , and crisply elaborated image . The HDR tone mapping is state - of - the - art , and the lead performance is beautifully cinematic , ascertain the NZ800 remain the beamer to beat .
Pros
Cons
Key Features
Introduction
The JVC DLA - NZ800 supervene upon the outgoingDLA - NZ8 , and while not as revolutionary as that 4 special K HDR optical maser projector , this new model develop its forerunner ’s already class - leading performance by adding a newly redesigned D - ILA chipset and 2d generation 8K / e - shiftX processing .
The consequence is a beamer that builds on the achiever of the NZ8 by retaining its foresightful - life BLU - Escent optical maser light beginning , and 2d generation Frame Adapt HDR and Theatre Optimiser for superior tone mapping , while also increase the claim output to 2,700 lumens and the contrast to 100,000:1 .
Other new features include a Deep Black function , Balanced laser dimming setting , and brilliant picture mode , along with more detailed control of the overall laser world power setting . The NZ800 retains the eminent calibre all - methamphetamine hydrochloride electron lens , andHDMI 2.1inputs with support for 8K/60p , 4K/120p , and HDR10 + .
JVC has long been the projector brand that put the ‘ cinema ’ into habitation cinema , but how does the NZ800 compare to its noted predecessor and does it inhabit up our first moment ? permit ’s find out …
Availability
The JVC DLA - NZ800 ( DLA - RS3200 ) is the the mid - range model in make ’s 4 kB laser - power line - up , it ’s uncommitted now and retail for £ 15,999 / $ 15,999 / € 15,999 / AU$24,999 . The NZ800 sits below the range - topping DLA - NZ900 ( DLA - RS4200 ) , which costs £ 25,999 / $ 25,999 / € 25,999 / AU$40,999 , and above theDLA - NZ7(DLA - RS2100 ) , which has been retain from the earlier genesis and enjoys a reduced price of £ 8,999 / $ 7,999 / € 10,999 /AU$16,999 .
The NZ800 does n’t have a direct competitor and the airless is theSony VPL - XW7000ES , which retail in the UK for £ 12,999 , or the VPL - XW6000ES , which cost $ 11,999 in the US . Both projectors apply SXRD , which is Sony ’s reading of LCoS , but while the XW7000ES is range at 3,200 lumens , the XW6000ES only hits 2,500 lumens , and neither has funding for 8 K , 4K/120p or HDR10 + , nor do they have HDMI 2.1 inputs . The NZ800 also has skillful bleak levels and superior HDR timber mathematical function , making it the perfect option for well - heeled cinephiles .
Design
The JVC DLA - NZ800 calculate indistinguishable to the previous NZ8 , with the same awing soma quality and massive lusterlessness black human body that measures 500 x 234 x 505 mm ( WxHxD ) , and weighs in at a back - breaking 23.1 kilo . This beamer is aimed at dedicated home cinemas that use a lasting pedestal or ceiling mount .
The NZ800 also uses the same 17 - element , 15 - mathematical group all - glass 65 mm genus Lens as the NZ8 , and include the coating on the interior of the electron lens gun barrel that was introduced on the earlier model , which is contrive to conquer any reflected light and meliorate the overall contrast execution .
There are twoHDMI 2.1inputs at the rear , both of which funding bandwidths up to 48Gbps and accept 8K/60p and 4K/120p – with the latter great intelligence for gamers . The HDMI ports also treat HDCP 2.3 , 3D and gamey active range – specifically HDR10,hybrid log - gamma ( HLG ) , andHDR10 + .
There ’s also a 3D synchro port for the optional emitter , RS232 and Ethernet ports for serial control , a USB port for firmware updates , and a 12V trigger for economic consumption with a mechanise screen . Over on the right-hand hand side as you face the backside are some basic control in cause you lose the zapper .
The provide remote controller looks monovular to the previous generation , but enjoys a couple of minor tweaks with a more luminescent light push button , and minuscule bumps on the on / off and enter button – all of which makes the zapper even easier to use in a blacked - out home cinema .
Features
The JVC DLA - NZ800 ’s headline feature is the brand ’s proprietary Gen3 500 - ILA ( LCoS – fluent crystal on silicon ) 4 K chipset , which is more effective thanks to a fresh layout . This allows for brighter simulacrum , deeper blacks , and skillful uniformity , with a take brightness of 2,700 lumen and contrast ratio of up to 100,000:1 .
The NZ800 also tote up JVC ’s Gen2 8K / e - shiftX equipment , which still physically shift each pixel by half a picture element in four direction ( up , down , will and right ) , allow for a full 8 K ( 8,192 x 4,320 ) image , but uses improved upscaling for increased edge and detail across a full range of mental object .
JVC has summate a Deep ignominious function that uses a revised algorithm to heighten contrast without crushing shadows . In addition , the dynamic laser control summate a new Balanced setting for even punchier pictures without introduce the distracting brightness pumping seen on earlier manikin .
The optical maser power is controlled by a slip ordered series setting , and while this still goes from 1 to 100 it ’s now more useful , allowing you to gradually boost the brightness without a sudden step-up in buff disturbance . There ’s also a fresh Vivid mode for watching sport or gaming in way with ambient Light Within .
The NZ800 retain JVC ’s BLU - Escent laser diode faint beginning with its claim 20,000 - hour lifespan , along with motorise focussing , zoom and budge controls , plus electron lens memories for unlike screen aspect ratio . There ’s also aFilmmaker mode , along with extensive ISF - certified standardisation controls .
The late proprietary Gen3 Frame Adapt tone mathematical function remains class - leading by dynamically analysing HDR10 content on a frame - by - frame basis to optimize the image . There ’s also the Theatre Optimiser that enhances the tone of voice mapping by allow for blind ’s size of it , shape and amplification .
The NZ800 can now understand Display Mastering Luminance ( DML ) metadata that tells the tone mapping the bloom cleverness of the presentation on which the content was originally get over . This is utilitarian because the more metadata the flavour mapping has to wreak with , the better the answer .
Finally , while its popularity may be go down the NZ800 still support three-D – although you will need to buy the optional emitter and active shutter glass , plus a 3D - support Blu - ray player , to love all the immersive benefits of big screen three - dimensional action .
Performance
The JVC DLA - NZ800 may be a cutting - edge piece of outfit , but it ’s a pleasingly simple projector to setup . This is primarily thanks to a generous throw proportion and motorised controls , so even a relative novice should have it up and run in no time with a picture utterly matched to their screenland .
If you select the Filmmaker mode , you ’ll have a fairly exact word picture justly out of the loge , although if you ’re dropping this kind of money you should really get it professionally calibrated . Once I ’d calibrate the review sample I was impressed by the fantastically accurate measurements .
I in reality utilise an NZ8 as my current reference projector , so I was able to directly compare the two in my consecrate home cinema . The fan noise was identical at around 24dB , but what I also noticed was that the 8K / e - shiftX gadget is most silent on the NZ800 , whereas I could clearly hear it on the NZ8 .
While the NZ8 is an impressive performer , I could right away see that the NZ800 ’s direct contrast was better in my completely melanise - out way . And this was n’t just some placebo effect , because in testing I measured the contrast ratio at up to 100,000:1 , so JVC is being honest in its marketing .
The increased brightness is less obvious , and once calibrated I ’d say there ’s little difference compared to the NZ8 . However the granular nature of the laser power setting have in mind you’re able to stuff more brightness level out of the NZ800 without the fan noise plain up a gear , which is handy .
The people of colour are not only accurate , but also deep and richly nuanced thanks to the NZ800 ’s filter , which allows it to cover 100 % of the DCI - P3 HDR people of colour gamut . While this does bring down the brightness by about 20 % , it can be mitigate by bit by bit increase the laser power setting .
In term of its performance with SDR content the NZ800 is stunning , delivering unbelievable levels of item while still retaining that all - authoritative film - like lineament . The novel D - ILA chipset also ensures fantabulous uniformity and geometry , with no annoying promising corners on the review sample .
The processing is first - social class , taking modest resolution content and cleanly upscaling it to 4 kilobyte , while the 8K / e - shiftX creates a perceived result of 8K. I really like the latter , but did n’t use it on my NZ8 because of the haphazardness . Now that I ca n’t hear it on the NZ800 I ’d use it all the time .
The motion manipulation is equally impressive , with bland images free of judder , blurring or other undesirable artifact . With 24p content I ’d definitely call on the clear motion take off , but this feature article can be utilitarian when smoothen motion for corking fluidity with television - based subject like sports .
As good as this projector is with SDR , when it come to HDR it ’s in a category of its own . Those deep blacks and bright high spot flux perfectly with flawless tone single-valued function that like an expert render HDR and making full manipulation of the format ’s increase dynamic range and wider colours .
Watching The Crow on 4 K disc reveal the NZ800 ’s opprobrious stratum prowess , producing inky depth while still being able-bodied to tease out all the details in the tail during the film ’s numerous Nox scenes . This remarkable contrast performance gives the pic far gravid dimensionality .
This is where JVC is head - and - shoulders above any other projector manufacturer , producing material Negro rather than dark greys , and the new Deep Black feature is a great summation that manages to extend the latitude in the lower compass of this beamer ’s already impressive dynamic mountain chain .
At the other end of the shell the sun - bleached deserts of Arrakis and black and white sequences on Giedi Prime are render with preciseness in Dune Part Two , allowing the image to remain bright and punchy while also ensuring no item are lost in the highlight due to clip .
The level of particular on video display in Oppenheimer is exceptional , with the new D - ILA chipset and high-pitched quality all - glass lense bringing out every pixel in the aboriginal 4 K image . Here the 8K / e - shiftX really comes into its own , managing to give the already impressive photography a petite bit more raciness .
The HDR10 is frequently breathless , but the NZ800 ’s support of HDR10 + allow this projector to take vantage of the format ’s added dynamic metadata to deliver exceptional ikon where the more precise tone chromosome mapping gives images more deepness and bang-up impact .
Speaking of depth , the NZ800 ’s 3D public presentation is equally optic - popping , and this remarkable projector delivers the added dimensionality with images that are shining , accurate , and gratuitous of any ghosting . You ’ll involve to purchase the optional RF transmitter and glasses , but if you ’re a 3D fan you wo n’t be disappointed .
Finally , gamers will delighted to determine the remark slowdown is only 36ms with low rotational latency turned on , which is sound for a projector . This result in enjoyably responsive biz free rein , and once you include the 4K/120p funding and tenacious - life laser Inner Light source , the NZ800 is an excellent , if rather pricey , play choice .
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Should you buy it?
The combining of deep blacks , amazing HDR tone single-valued function , and crispy 8 K processing results in some of the good images you ’ll see from a projector .
This projector is designed for dedicated home cinemas , any muse light will rob the image of its deep contrast and all - authoritative film - like quality .
Final Thoughts
The JVC DLA - NZ800 picks up from where its predecessor left off and runs with it – increasing the brightness while somehow still managing to deliver deeper Black person and wide-eyed line . The new 8K / e - shiftX produces exceptionally detailed images , while the latest HDR flavour mapping is often breathtaking in its cinematic presentation .
telling truth , extravagantly balanced colours , and extensive feature that admit support for 4K/120p and 3D turn - out a near - perfect projector that , due to the want of a direct competitor , is literally in a class of its own .
Trusted Score
How we test
We test every projector we review soundly over an extended menstruum of time . We usePortrait Displays Calman gloss standardization softwareand industry standards to compare feature right . We ’ll always tell you what we find . We never , ever , accept money to review a product .
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FAQs
The JVC DLA - NZ800 supports HDR10 , HLG , and HDR10 + HDR fomats .
