Verdict
The JVC DLA - NZ7 is an impressive 4 KB projector that produces superb images thanks to class - leading blacks , state - of - the - nontextual matter HDR tone - mapping , and cutting - edge 8K / e - fault processing . A optical maser light reservoir hand over a 20,000 hour lifespan , while HDMI 2.1 input add extensive future proofing and next - gen play capabilities .
Pros
Cons
Key Features
Introduction
The JVC DLA - NZ7 is the ‘ launching - level ’ good example in the brand ’s newfangled range of dwelling cinema projector , and tout a BLU - Escsent optical maser brightness level informant that provides increase brightness compared to a lamp - based beamer , along with much improved look-alike consistence , and a 20,000 - minute lifespan .
Other key features include two - charge 8K / e - shift and HDMI 2.1 , which means this projector supports 8K/60 , 4K/120 , andHDR10+with dynamic metadata . Once you let in impressiveblack levelsand class - leading HDR flavor mapping , you have a projector that lay out the legal profession at its price point .
Design
The JVC DLA - NZ7 uses incisively the same lustrelessness fateful chassis as the rest of JVC ’s novel laser - power line - up . It ’s extremely well - made and very grown , measuring 500 x 234 x 505 mm ( WHD ) , and count in at 22.5 kilogram . So this is is n’t the variety of projector you setup once in a while , and is aim at more lasting custom installations .
The NZ7 uses the same 17 - element , 15 - grouping all - glass 65 millimetre lens found on the more expensiveDLA - NZ8 , but lack the coating on the inside of the light itinerary that ’s designed to suppress reflected light and improve the direct contrast ratios . However , it still has a claimed contrast proportion of 40,000:1 , which is ranking to any of JVC ’s competition .
The twoHDMI 2.1inputs are 48Gbps interface that accept both 8K/60p and 4K/120p , plus they support HDCP 2.3 , 3D andhigh dynamic range – specifically HDR10 , HLG , and HDR10 + . An added benefit of HDMI 2.1 is the NZ7 ’s power to interlock onto video signals faster than old JVC projector , which were often painfully slow at this .
The provide remote is identical to previous generations , and remains a well - designed control that ’s comfortable to hold and well-heeled to employ with one paw . The layout of the buttons is intuitive , and there ’s a dedicated backlight that straighten out the actual writing on the button , making them much gentle to read in the darken way .
Features
The JVC DLA - NZ7 contains the company ’s BLU - Escent optical maser diode light reservoir first introduced on the ultra high - endDLA - Z1 , and also used on theNZ8and NZ9 . This new light source result in increased brightness , improved consistency , and a 20,000 - minute life – so no obvious dip over time and no need to change the lamp .
The NZ7 uses the 4 K ( 4096 x 2160 ) D - ILA machine that JVC introduced on its former generation of projectors , and also uses the same 8K / e - shift processing first introduced on the DLA - NX9 . Unlike the four - shift 8K / e - shiftX tech used on the NZ8 and NZ9 , this version only shifts the pixels in two directions to display an figure . While the perceived declaration is higher than 4 K , it ca n’t hit the full 8192 x 4320 pixels produced by the four - shift approach .
Another deviation when comparing the NZ7 to the NZ8 and NZ9 is that the former does n’t have the spacious colour gamut filter included with the two more expensive models . The downside is that the NZ7 ca n’t reach 100 % of DCI - P3 , but on the plus side the HDR is burnished without the filter shorten the light production by about 25 % .
JVC ’s HDR is class - leading , with Auto Tone Mapping that reads static metadata and adjusts consequently . bod Adapt HDR then analyses a signal and changes the tone chromosome mapping on the tent flap , while the Theatre Optimiser maximise the HDR pitch to right accommodate your particular screen size and gain .
There are motorize focus , whizz and pitch controls , making instalment a piece of patty , and lens system memory board for unlike aspect ratios . To reflect the increase in popularity of ‘ Scope filmdom , the bill of fare options in the Theatre Optimiser now allow you to limit if your screen uses a 16:9 or 2.35:1 aspect ratio .
The optical maser light beginning has three LD Power options ( low , mid , and high ) , along with two Dynamic CTRL preferences that dynamically conform the brightness of the laser . The optical maser is astonishingly muted in mathematical operation , even in the brighter mid option , while the high mode is n’t importantly louder either .
Performance
The JVC DLA - NZ7 delivers awing native 4 KB images that render remarkable level of item while still retaining that all - authoritative film - like quality for which JVC projectors are rightly famous . The uniformity and geometry of the image is also excellent , ensuring this projector cede bright and clean bounteous screen video .
The greyscale and color gamut are highly accurate , hitting the industry standards right out of the boxwood . The pitch blackness are also bass and robust , while the increased brightness ensures the picture really pops . The more expensive NZ8 might have a contrast ratio that ’s double the NZ7 ’s 40,000:1 , but unless you ’re in a completely melanize out room , it ’s unbelievable you ’ll notice the difference .
This motion manipulation is excellent , with smooth images free of blurring or undesirable artefacts like judder . The NZ7 is great with 24p picture content , but also performs well with eminent frame rate up to an including 120Hz for secret plan . The processing is impressive , upscaling gloomy solvent content to 4 K , and thanks to the HDMI 2.1 inputs and 8K / due east - shift the NZ7 can even take and expose 8 yard substance ( if you’re able to discover any ) .
This projector is a first - year performer when it comes to SDR , farm images that are accurate , artifact - loose , very brilliant and with fantabulous pitch-black levels . When it come up to HDR the functioning is even better , with those deep blacks and bright high spot unite utterly , while United States Department of State - of - the - art tone single-valued function effectively renders HDR by not only take full advantage of the formatting , but also optimise the pictures to the projector ’s inbuilt strengths .
This is perfectly demonstrated in the possibility of Morbius , where a cave full of vampire bats is attractively deliver thanks to the splendid contrast and brilliant dynamic tone - mapping . The blacks are deep , but the shadow are also improbably detailed , allow you to make out all the squash racket hanging on the walls of the sorry cave .
The NZ7 lacks the wide colour filter found on the NZ8 and NZ9 , so it ca n’t reach 100 % of the DCI - P3 colour place used for HDR subject matter , but it still grow about 90 % , head to some some nicely saturate primary colours . This is demonstrated in Guardians of the Galaxy Vol.2 when our heroes arrive on Ego ’s planet , and the landscape painting is riot of color , all deliver with preciseness . It ’s doubtful most multitude would ever remark the slightly smaller colour gamut .
The HDR10 performance is exceptional , but the NZ7 ’s support of HDR10 + allow this projector to take vantage of the data format ’s added dynamic metadata to rescue HDR simulacrum are often more precise because the added metadata allows the tone map to adjust on a scene - by - scene and even frame - by - frame of reference ground .
The 4 K Blu - ray of The polishing includes an HDR10 + option , and the aboriginal 4 K CAT scan bring out every detail in the original 35 millimeter picture taking . The pellucidity is stunning , and the dynamic metadata of HDR10 + see that the black are mysterious , the shadows detailed , and the white snowy vistas are gratis of any trim .
The 3D operation is equally fantastic , and the NZ7 rescue the extra dimensionality with simulacrum that are big , bright , accurate , and thankfully free of any ghosting . You ’ll need to purchase the optional RF transmitter and chalk , but if you ’re a 3D sports fan you wo n’t be disappoint by the results .
ultimately , gamers will delighted to instruct the remark lag is only 38ms with low latency turned on , which is good for a projector . This results in pleasantly reactive big silver screen biz play that is wonderfully immersive , and once you factor in the 4K/120p support and optical maser light source , the NZ7 make an splendid choice for a gaming projector .
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Should you buy it?
If you desire adorable 4 K image , impressive black levels and class - leading HDR , this is the projector for you . It ’s standardized to the more expensive NZ8 and quite a bit bum .
If you require something small and portable for occasional use , this is n’t the projector for you . It ’s very large and heavy , plus it ’s very expensive and mainly take at cinephiles .
Final Thoughts
This projector is so good , it ’s heavy to free bribe JVC ’s more expensive but every bit telling NZ8 . The NZ7 might not be quite as brilliant , it might not have as wide a colour gamut , and its dividing line proportion is n’t as good , but most the great unwashed wo n’t notice the differences and it ’s four grand chintzy . Best of all you still get stunning native 4 K image , course - direct HDR , 8K / e - shiftX processing , a long - life laser ignitor root , and next - gen gaming features thanks to HDMI 2.1 inputs . The NZ7 remains a meaning investment funds , but you wo n’t rule a better performing artist at this cost point .
Trusted Score
How we test
We test every projector we refresh soundly over an extensive time period of time . We use industry standard tests to compare features properly . We ’ll always recite you what we come up . We never , ever , accept money to review a product .
Find out more about how we test in ourethics policy .
FAQs
The NZ7 laser projector is subject of outputting at native 4 K resolutions and need using JVC ’s e - Shift engineering science to bring forth an figure snug to 8 K in 8192 x 4320 resolution .
Full Specs
Sustainability
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