Verdict
It is n’t without via media , but the 100L9GTUK really does feel more often like a TV than a projector , making it a potentially great value , big - screen option for the right-hand customer .
Pros
Cons
Key Features
Introduction
Ab fans who urgently want to make a big - screen experience at home , but who are n’t multi - millionaire , always end up facing the same toughened choice .
Do they “ make do ” with a 75 - 85 - in goggle box , given that bigger TVs are as rarefied as hen ’s tooth and cost 10 of thou of pounds even if you do do to find one , or do they go for a much less convenient projector solution , so they can open to poke out their ambition to screen size of it of 100 inches or more without having to sell a kidney ?
Hisense , it seems , has noticed this quandary and decided to do something about it . The “ something ” being the 100L9GTUK Laser tv set – a clever combination of an ultra - light throw laser projector and ambient luminousness - pass up screen designed to redeem the experience of a TV at the scale of a projector .
Can such a combi root really have the best of both worlds , though , or will it at last be fix by compromise ?
The Hisense 100L9GTUK is available from multiple retailers for £ 3999 in the UK , which works out pretty nicely on a pound sterling - per - screen - inch foundation when compared to the stratospheric prices typically commanded for example of TV 85 inches and above .
The 100L9GTUK is also usable in the US – albeit with a slenderly unlike specification in some areas – for $ 5499.If you require to go even bountiful than 100 inches , then in the UK you may pick up a 120 - inch L9GTUK for an additional £ 500 .
Making the terms look even more attractive is the fact that , at the time of writing , Hisense will deliver and full add the 100L9GTUK complimentary of direction . This could take a few days or even weeks observe purchase ; but not having to mess up about examine to cling the screen , spend potentially ages setting up the projector right yourself , make the wait well worth it .
Design
To a stranger walking into a living way that ’s home to a 100L9GTUK for the first time , it really does just depend like a immense TV . The 100 - column inch rigid screen sits there on your wall , blasting startlingly bright pictures off its solid , ambient ignitor - rejecting surface , as if there ’s a traditional roster ofOLEDor LCD pixels behind it .
In truth , of grade , the source of these pictures is in reality the tri - chroma / triple - optical maser projector sit down on your counter beneath the filmdom . This can sit just centimetres from your wall or concealment , rather than have to take over the middle of your way like most regular projectors , thanks to itsultra curt throw(UST ) technology .
This UST design , together with the intensely bright triple - optical maser lighting system and specializer cover , mean the 100L9GTUK will also hopefully be shining enough to “ plug through ” ambient light more successfully than regular projector , meaning you wo n’t have to swaddle your living room in eonian darkness to revel it .
Once you actually notice the 100L9GTUK ’s projector portion , though , you ’ll see that it ’s bigger than typical plate entertainment projector . This is down to the motive to bounce its laser - create images around a series of internal magnification oculus so that an range of a function can emerge from a slit in its top bound , quick to fill the 100 - in CRT screen ride just centimetres away .
The 100L9GTUK wears its size well , though , sporting a glossy black polish , tastily rounded corners – and the provision of a textile - covered 40W speaker organisation on the bound that confront into your room .
connectedness reside on the side of the projector that sits closest to the wall , making it relatively easy to hide cable spaghetti .
The 100L9GTUK is controlled by a premium reading of Hisense ’s TV distant controls – another mode in which it seeks to bilk the nifty projector / TV water parting .
Features
The 100L9GTUK ’s newspaper headline feature of speech is simply the way the projector / screen combi tries to deliver a television - same experience at a scale that would cost many prison term more if it was actually a video .
Hisense really has gone the supererogatory mi in its bid to realise this ambitiousness . For appetiser , the tri - laser lighting system of rules can pump out a monumental 3000 lm of peak Christ Within . Experience suggest that these sorts of light degree are what you need if you want your projector to rescue word-painting that stay punchy and watchable in typically vivid support room shape .
Moreover , the Ambient Light Rejecting concealment design is expressly project to deliver as much impact as potential from this 3000 lumen , thanks to a construction that reflects only light come from below it , where the projector is . It shuts out reflections from any other light sources that might be around your room .
What ’s more , the screen ’s substantial , superimposed structure is specifically designed to bounce as much light right back out from the projector as possible , rather than soaking any of it up or scattering it too wide .
As previously note , the 100L9GTUK also bear a 40W speaker system – which , on theme at least , is more herculean than that of most TVs , never mind the puny audio efforts found companion the immense majority of “ even ” projectors . This speaker system is even partner withDolby Atmosplayback .
Then there are the 100L9GTUK ’s connections . These include three HDMI ports rather than the two you ’re normally circumscribe to with projectors ; built - in Wi - Fi , so you may habituate video recording cyclosis serve ; and even an RF tuner input , which , in the UK , bear Freeview HD programme .
These are all connection options you ’d routinely see on a goggle box ; but they ’re seriously uncommon to find on a projector .
It ’s perhaps a pity that none of the 100L9GTUK ’s HDMIs can support the4K/120Hzorvariable refresh rategaming features that most premium TVs have finally started to handle . backup for these features is seldom found on other projector either – but this is a projector system that ego - identifies as a television , after all . It ’s deserving bestow here that the lowest comment lag figure I was able to get from the 100L9GTUK was 63ms . This is fairly high-pitched by today ’s standards , underscore that the current Laser boob tube contemporaries has n’t been made with a particular focus on gamers .
The 100L9GTUK claims to be a 4 K projector . I say “ claims ” since as with most “ 4 green ” projectors , this one does n’t really frisk a native 4 kB count of DLP mirror . Instead , it uses Texas Instruments ’ system of flashing its DLP mirrors multiple times per image frame to make a 4 G event .
Before you start thinking that this sounds more or less sleight of hand , experience express that this approach can deliver telling results . So much so , that it ’s really considered by the Consumer Technology Association in the US to be a genuine 4 K experience .
Also present and correct is HDR support , in the HDR10 and HLG formats ; the 100L9GTUK does precipitate somewhat little of many TVs by not supporting the premiumHDR10+and / orDolby Vision HDRformats . However , as a reminder of the way this mathematical product straddles two product area , Dolby Vision and HDR10 + livelihood on projectors is extremely rarefied .
The 100L9GTUK ’s exercise of a three - laser lighting system warrants more attending . The musical theme of using three lasers , one each for the violent , green and down in the mouth picture element , is that it can present more luminousness and a wide , purer colour ambit – Hisense startlingly arrogate 107 % of the HDR Rec 2020 standard . This is because there ’s no need to deploy the colour wheel connect with unmarried DLP light sources . These benefit should again prove helpful in trying to deliver a punchy , goggle box - like experience , even in fairly bright elbow room .
Using optical maser kindling also help make a more TV - similar experience , because you do n’t have to concern about changing a bulb every few thousand hour as you would with a traditional lamp projector . The 100L9GTUK ’s optical maser array is rated as being honest for upwards of 20,000 hours of good use , with the pictures it produces devolve over that meter far more lento than with lamp sources .
One last feature that pushes the 100L9GTUK back towards the TV class is its built - in overbold system of rules , build around the same VIDAA platform found in many Hisense TVs . As such , it ’s gentle to habituate , reasonably easy on the centre and , most importantly , provide access to most of the grownup streaming serve consumers now expect to find on a television receiver . At the clock time of writing there are no Apple TV+ or Disney+ apps , but on the face of it these are set to arrive on Hisense ’s L9 G Laser TV models via microcode update very soon .
Picture Quality
The 100L9GTUK really does get tightlipped to delivering a television - similar experience than any other projector system I ’ve see . Not least because the intense luminance of the laser luminousness organization flux with the extremely contemplative and ambient sparkle - rejecting holding of the ply screen to produce pictures so bright , it ’s hard to trust they ’re come from a projector at all .
plain , this light has most impact in a fairly dark way , where HDR images erupt off the screen with layer of intensity that you ’d ordinarily only see from a passably high-pitched - close LCD goggle box . Arguably more important , though , given the 100L9GTUK ’s living elbow room ambitions , is the path the extreme luminance helps its pictures hold their own against even quite gamy amounts of ambient light .
Accompanying the extreme brightness are some spectacularly full-bodied and punchy color . Again , these are at their most spectacular in a dark room . However , having such an intense baseline mean they also nurse up unambiguously well for a projector system in a regular living room environment .
Put the 100L9GTUK ’s utmost luminosity and colour handling together and you have the most impressive attempt to assert a sense of HDR , even in a regularly lit room , that I ’ve seen to date .
I ’m not say the 100L9GTUK ’s pictures are n’t affected at all by ambient light . of necessity , even with a projector as bright , and fit with such a short throw distance , ambient light will thin the figure of speech to some extent , reducing the intensity of colours and brightness , and washing out contrast .
But while it ’s true that a television would n’t be as move by ambient lighter ( so long as a direct light source was n’t shining forthwith at its screen , anyway ) , the extent to which the 100L9GTUK ’s images lose intensity in lustrous room is far less debatable than you ’d bear to see with any other all - in - one projector package .
The 100L9GTUK also excels with sharpness and contingent . feed in it a beneficial 4 super C source and it will serve up pictures that bet 4K. Detail stage are high , clarity is first-class , and there ’s enough pernicious grain to be seen – even in the most heavy impregnate colour expanse – to make that sense of realism and three - dimensionality that ’s so important to ‘ selling ’ a 4 1000 experience .
Of naturally , make so much detail uncommitted is in particular helpful when you ’re watching on a 100 - inch screen . And the 100L9GTUK ’s upscaling of HD root to 4 K is effective for such an affordable organization .
While the 100L9GTUK is at its good when in an surroundings with only a point of ambient luminance , in some ways it also become its hand to saturnine - elbow room public presentation better than many rival “ bright room ” projectors . Not least because the sheer saturation of the burnished parts of its pictures does an unco effective job of take out attending away from the projector ’s inevitable limitation for black level and contrast .
That said , there are issues in dismal room that I ca n’t ignore . As I ’ve just noted , while you do n’t detect this in a bright room , black degree are just average . colored scene look rather grey where they should look bleak , which can also cause insidious details in dark area to become lost .
Also more noticeable in dark rooms is that picture fall back brightness when view off - axis ( a side issue of the complex body part of the 100L9GTUK ’s ALR screen ) . In addition , low room inflammation draws attention to a quite pronounced “ red-hot spot ” that sees much of the bottom third or so of the impression come along with an area of excess , “ accidental ” light appear over it . The Adaptive Contrast feature that process up the all - round punchiest pictures can cause a small unstableness in overall luminousness spirit level in dark elbow room , as it conform the projector ’s light end product to befit changes in the image .
Other more general result are that despite the 100L9GTUK using a three - laser scheme , high - contrast image can show sign of the rainbow effect ( where stripes of virtuous red , light-green and blue can flit over bright objects or your peripheral vision ) ; skin tones occasionally look a little good ; and motion looks a small uncomfortable with 24p movie sources . For most people ( some viewer are unusually susceptible to seeing the rainbow effect ) , though , none of these issues will be a major beguilement .
One other full stop to stress is that you need to use the 100L9GTUK ’s Dynamic HDR picture preset to get the best results out of it . All the other place setting go for a warmer colour tone that does n’t marry well with the seemingly slightly more gamy - biased natural tone of the laser lighting system .
While the 100L9GTUK ’s picture characteristic may be enough to deter serious home cinema fan , though , the fundamental point about a intersection such as this is that its issues are all far less baffling when you ’re watching the TV in the regular lighting conditions the bulk of our TV - viewing life is spent .
Sound Quality
The 100L9GTUK ’s speakers are safe in some ways , a footling disappointing in others . On the upside , the manner they fire straight into your room chip in the sound a more direct , impactful flavor than you ’d go through with many TVs , which be given to come out their speakers behind the screen .
The 100L9GTUK ’s audio is also in a dissimilar conference to anything you might hear from the Brobdingnagian majority of projector , in term of both its ordered series and projection ( the extent to which phone is thrown from the projector ’s bodywork ) .
That said , sound sound projection here is n’t sufficient to do much Department of Justice to the built - in Dolby Atmos decrypt , or make voices seem as if they ’re coming from the king - sized image on the 100L9GTUK ’s screen .
In accession , there ’s a slightly thin tone to the sound , which can lead to heavy soundtrack minute sounding a small brickly and artificial . It does n’t facilitate that sea bass is quite limited , too , distorting or dribble away almost completely with sustained heavy rumbles .
Overall , then , the 100L9GTUK ’s sound can be considered unspoilt than that of almost all projectors , but only around average by premium TV standards .
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Should you buy it?
It ’s bright enough , colorful enough and well featured enough to fork up a strikingly TV - like experience at a fraction of the cost of an actual 100 - in TV .
It does n’t turn into a serious dark room home movie house projector as well as dwelling house cinema fans might like .
Final Thoughts
The 100L9GTUK wo n’t be for everyone . It is n’t as achieve all - round in a bright elbow room as a agio TV , and it is n’t as accomplish in a blacked - out room as a dedicated place cinema projector . However , it ’s unambiguously near at serving up film - sized pic that you’re able to watch in regular bread and butter way surround , without the hassle and want of TV feature typically associated with a projector .
And I suspect there ’s actually a pretty sizeable market of citizenry out there for whom such a mixing of size of it , features and screen column inch for the money will be just what the doctor ordered .
Trusted Score
How we test
We test every projector we go over thoroughly over an prolonged period of meter . We use industry received tests to liken features in good order . We ’ll always tell you what we find . We never , ever , accept money to review a product .
Find out more about how we test in ourethics insurance policy .
FAQs
As defined by Hisense , it ’s a combination of a high - brightness laser projector with an ambient light - rejecting screen .
It will permit 4 K gambling at 60Hz , but there ’s no variable refresh pace or 4K/120Hz support . Input lag is 63ms at best .
Yes , it dribble Hisense ’s VIDAA impertinent system , which provides accession to many picture cyclosis apps . Apple TV+ and Disney+ were n’t present when we published this review , but are look to be tally soon via firmware update .
Full Specs
