Verdict

Fujifilm ’s ground - breaking APS - C photographic camera is a powerful performer when it comes to both exposure and picture –   and it ’s available at a reasonable terms .

Pros

Cons

Key Features

Introduction

The Fujifilm X - H2 is something of a ground - breaker : with 40.2 - megapixels , it has ( along with its stable companion the X - T5 ) the high resolve APS - C sensing element on the market .

This sensor – a non - voluptuous , rearward - illuminated X - Trans CMOS – is designed with point in mind , prioritize it over the velocity offered by a stacked sensor .

In almost all other aspects , the X - H2 is identical to Fujifilm ’s existingX - H2S. The X - H2S , which now sits above the XTC - H2 in Fujifilm ’s X - Series kitchen stove ( and cost a lot more ) apply a 26.1 - megapixel stacked sensor , but the two model have the same CPU , frame , ascendancy layout , viewfinder , filmdom and connectivity .

To put it in its simplest terminus , the decade - H2S is build for amphetamine and low - light capability , while the X - H2 is work up for detail .

Design and handling

As mentioned above , the X - H2 is physically virtually selfsame to the X - H2S – which is a good thing in our book . Like many mirrorless camera , it ’s lightweight ( 660 gibibyte include a battery and retention poster , but no lense ) and comparatively compact at 136.3 x 92.9 x 84.6 mm , making it idealistic for long shooting military expedition and ( with a small lens ) discreet enough for street photography . It ’s also solidly constructed , and weather sealed against wet and debris , with the ability to operate in temperature as low-down as -10ºC/14ºF.

When it comes to controller , Fujifilm camera used to shun the PASM fashion dial overture taken by most of its rivals , rather choose for dials for shutter speed and ISO . That ’s changed in recent old age , and the brand now offers photographic camera with both setups . The X - H2 goes with the PASM approach , which likely make it easy to get to grips with if you ’ve been using Canon , Nikon , Sony or Panasonic gear wheel previously .

In any case , I found the tv camera in general a joy to expend , with a coherent control layout , easily accessible push and a classically ergonomic DSLR - mode chassis design ; there ’s a dedicated video recording record clitoris which ( while modest ) can be used even if you ’re shooting in one of the still picture taking mode , which is always welcome . The always - on LCD panel on the top plateful is a nice and potentially time - saving touching too , give you at - a - glance info about shooting setting and more .

The range of connections is telling , with full - sizeHDMI , a fastUSB - Cport ( for power supply , barrage charging and datum transferee ) , 3.5 mm mic and earphone jacks and a 2.5 millimeter distant controller port , plus Wi - Fi and Bluetooth .

There are two card slots uncommitted : one for Mount Rushmore State card and one for the newer CFexpress Type B cards . That mean you’re able to have up to 4 TB of storage ( 2 TB for each card ) in the camera at any one time , while the CFexpress Type B one-armed bandit ’s high write speeds allow you to get at some of the camera ’s more demanding function ( 20fps electronic shutter uninterrupted shooting for over 1000 frames and video transcription using the Apple ProRes codec ) .

Viewfinder and screen

The 0.5 - inch OLED electronic viewfinder is beautifully crisp and clear thanks to its 5.76 - million dot declaration and fast refresh charge per unit of 120fps . There ’s not much else to say about it ; it does exactly what it involve to do .

I also found the rearward screen to be well design : this 3 - in LCD is amply articulated , grant it to be bespeak in almost any direction , including frontwards – a must for vloggers and selfie freak . It has a 1.62 - million dot firmness , is bright enough to be operable on all but the sunniest of days and is touch sensation sensitive , and while I mostly used it to quickly set autofocus points , you may also use it to cabbage through your images in playback mode .

Image quality and performance

With just over 40 megapixels at its electric pig , the X - H2 is design with detail in mind , and anyone treasure superbly sharp images will have a battleground day putting this camera through its paces .

For still photos it can capture up to 7728 x 5152 pixels , while the Pixel Shift Multi Shot mode ( which requires a tripod but combine multiple shots into a single super hi - ray image ) can serve up figure with a astounding 160 megapixels of resolution . For video , it can capture up to 8 KB footage ( 7680 x 4320 ) at 30fps .

There are full - frame and medium - data formatting mirrorless cameras with high resolutions than this , yes – but because the X - H2 has an APS - C sensor it generally use tacky , lighter lenses than these great sensor competitors . That make this one of the most budget - friendly hi - res cameras on the food market , particularly if you ’re planning on buying multiple lenses in the future .

I notice trope caliber to be terrific straight out of the camera and you may get even better issue by tear in RAW and processing using Lightroom or similar . Detail is rich and shrill , as you ’d expect , but there ’s a pleasing tonality and active range to images as well . When lighting is a picayune more challenging however , you might miss the speed of the X - H2S – despite a purported 7 stop of image stabilisation and an ISO range of 125 to 51200 ( 25600 for video ) , this does n’t sense like a tv camera that ’s truly at home in the dark and interference and blurriness can become a problem .

Still , the X - H2 is a powerful performer for the price , especially with a CFexpress menu inside . It can hit stills ceaselessly at up to 15fps with its ( passing quiet ) mechanically skillful shutter and up to 20fps with electronic shutter , and its autofocus setup is both agile and exact , with AI - assisted realization for subjects admit homo ( including heart and case ) , animals , shuttlecock , cars , bikes , aeroplanes and gearing . I flip it to the bird sensing setting and found it brilliant at tracking moving wench in the air , in the water and on the ground .

The X - H2 also add up with the same X - Processor 5 as the X - H2S , which improves performance and brings in Modern features like HEIF stills shooting ( HEIF files are little than JPEGs ) and support for Apple ProRes video recording transcription .

Even if you do n’t useProRes(which is a superb codec for post - production editing and colour chastening ) , there ’s mass to look up to about the X - H2 ’s telecasting carrying into action . If detail is key , you’re able to record 8 K footage at up to 30fps , as well as 4 K and C4 K at up to 60fps and slow - motion footage ( in Full HD ) at up to 240fps . I ’ve edited together some footage I memorialise at 8 K and 4 K into a unretentive 4 kB sample clip to give you an musical theme of what you may await with no colour rectification or grading .

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Should you buy it?

: mate the X - H2 ’s 40 - megapixel sensor with a good quality lens and the result is detail –   lots of it . It can also capture pristine - looking 8 K TV .

The X - H2 is n’t the practiced for lowly - light shot ; if you ’re a night bird of Minerva you ’ll require to look at the X - H2S instead .

Final Thoughts

While it may seem externally alike to the existingX - H2S , the Fujifilm X - H2 has its own personality and own part to fill in the producer ’s X - Series line - up . Built for detail thanks to an impressive 40 - megapixel sensor and significantly more low-cost than its stable companion , it ’s a true all - rounder that is evenly at home recording8Kvideo or capture incredibly rich still photos .

Well - constructed , weatherproof and lightweight , it also has a fantastic formulate screen , a with child and brilliant OLED viewfinder and first-class connectivity , plus a control layout that few will have problem getting to hold with . All in all , Fujifilm has present a camera that might be the company ’s most wide appealing X - Series model yet and one of thebest camerasaround .

Trusted Score

How we test

We test every tv camera we refresh thoroughly . We practice adjust tests to compare features properly and we use it as our main gadget over the reappraisal time period . We ’ll always say you what we find and we never , ever , accept money to refresh a product .

FAQs

There are two menu slots , both taking up to 2 TB cards – so you could have up to 4 TB .

Full Specs