Pros
Cons
Key Features
Introduction
Less than a year has passed since Fujifilm introduced the in style flagship production in its GFX Series , theGFX100 II . Now , the GFX100S II has arrived to offer a more affordable alternative to the flagship camera .
I was given the hazard to prove the GFX100S II at Port Lympne Safari Park onwards of its launch . Stay on this Sir Frederick Handley Page to read all about my experience with the tv camera .
Design and handling
The Fujifilm GFX100S II shares an very body with theGFX100S , a camera that launched in 2021 as a cheaper and more lightweight alternative to the GFX100 .
The only visual remainder between the GFX100S and the GFX100S II is the addition of Fujifilm ’s Bishamon - Tex leather , a traditional Nipponese - inspired convention that was introduced alongside the GFX100 II last year .
The GFX100 II is quite compact and lightweight for a average - data format camera at 883 g. Even with Fujifilm ’s new 500 mm telephotograph lense tie , I did n’t find the camera to be to a fault cumbersome to carry around the wildlife reserve though I did begin to feel some fatigue in my arms after an hour or so of shooting .
The ascendance are nicely circularise out across the body of the camera and it did n’t take me long to get a feeling for where each setting was located , adjust the shutter speed and aperture with the moving-picture show of a telephone dial .
There are a total of three screens on the camera , include a 5.76m - dot OLED view finder , a 3.2 - inch 2.36m - dit three - way tilting touchscreen , and a fatal and lily-white screenland on top of the camera to expose preferences at a glance . I discover the touch screen to be bright and sharp , with the three - means tilting chemical mechanism useful when taking photos from high-pitched up or down low . The EVF is piercing too and an upgrade over the viewfinder in the GF100S , though the resolution and refresh rate fall behind those extend by the GFX100 II .
The GFX100S II offer the same raiment of ports as the GFX100 II with the exception of the full - size HDMI and Ethernet ports . The camera also shares the same dual UHS - II retentivity lineup slots but lack out on CF Express compatibility .
Fujifilm has also foretell the aforementioned GF 500 millimetre f/5.6 electron lens which I found to be incredibly utilitarian for get closer to the animals and creating a nice bokeh around my subject .
Image quality and performance
The GFX100S II is powered by the same X - Processor 5 as the GFX100 II but with a different 102 - megapixel sensor . Where the GFX100 II pack the 102 - megapixel BSI CMOS II HS figure of speech sensor , the GFX100S II drops the HS or “ eminent - speed ” . This means you may expect the same high mental image quality from the camera with a slower read-out pep pill .
The camera also offers a slower mechanical shutter , allowing for 7fps shooting alternatively of 8fps . That say , I launch the burst mode to be more than fast enough to capture penetrative shots of animate being in activity .
I found the image quality to be fantastic , with passel of detail , great demarcation , and vibrant colours . For example , you’re able to break up out each strand of pelt in this mierkat . I also establish that the ISO could be pushed quite gamy without drawing too much additional noise as I was shooting during sundown toward the end of the daytime .
Along with 102 - megapixel stillness , the GFX100S II can composite 400 - megapixel images usingPixel switch Multi - Shotand record sharp 4K/30p or 1080p/60p footage . Other key television features let in 4:2:2 10 - snatch recording , F - Log , and F - Log2 funding and Frame . IO connectivity . There ’s also reenforcement for ProRes and BlackMagic RAW via HDMI .
picture is a big area that set the GFX100 II apart from the GFX100S II , with the pricier television camera offering 8K/30p , 4K/60p , and 1080K/120p shot , along with interior ProRes transcription and multiple cine recording formats . While none of these specs are present on the GFX100S II , the video feature film are still an rise compared to the GFX100S.
The X - Processor 5 brings an upgrade autofocus system compare to the GFX100S , which I found to be broadly speaking truehearted and accurate . The animal autofocus did struggle to correctly distinguish the eyes of sure creature – like the gorillas – often focussing in on their ears instead . I also ground that a combining of AF + MF was the easiest way to get past the bar and fences on the enclosures and hone in on the animate being itself .
The camera also features 8 stops of in - soundbox range stabilisation , the ability to snap 10 - bit HEIF images , and 20 film simulation modal value .
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