Verdict
If you need peerless exposure calibre , Canon ’s PIXMA Pro-200 has it in spade . From portraits , through radical nip , action exposure and landscapes , it delivers sensational effect without taking too long over it . However , it ’s quite an investment .
Pros
Cons
Key Features
Introduction
Forgive the printer punning , but the canyon PIXMA Pro-200 is absolutely laser - focused on creating the best possible photos . Although it ’s a individual - function printing machine with no electronic scanner confiscate , it ’s still huge , with its two monolithic newspaper tray designed to handle clayey , big exposure newspaper up to A3 + sizing . It ’ll grudgingly accept plain paper , but it ’s built to redeem better - than - lab calibre print on coated matte and glossy paper . If you ’re after an exceptionally good photo pressman , this could be it .
The first affair you ’re likely to notice about the PIXMA Pro-200 is that it ’s huge . It ’s much bigger than a typical A4 printing machine , and it even bet massive place next to Epson ’s EcoTank ET-18100 , which also prints on paper up to A3 + . launch the Canon ’s inflexible paper trays and it ’s even heavy – particularly if you extend them to their maximal size to deal with A3 + paper .
Design and features
You ’ll need a lot of desk space if you ’re using the Canon PIXMA Pro-200 to its fullest . Despite this , this is quite a nicely design and made production . Its black plastics have a subtly textured horizontal pattern , and all of its trays and compartments finger more tough than the average . Towards the right on the top side , there ’s a medium - sized colour screen , sail by uncomplicated directions and okay buttons . To the left field is the large hatch you ’ll need to lift to go its ink tank .
While most pressman create images with black , cyan , magenta and yellow inks , the PIXMA Pro-200 utilize eight colours , bear in eight tanks . Its grey and light grey inks let it create black and white photo without using any colour , mean they should have a supremely indifferent tone . They ’re also used in colour print for extra control over shading .
This printer has extra , light sunglasses of cyan and Battle of Magenta ink . Again , these are useful for ok dominance over light shades and aid avoid the appearance of grain you might get using stock Battle of Magenta or cyan .
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Eight is a flock of cartridge , and it would help greatly if Canon had thought to add a system to prevent you from put them in the wrong slots . As it is , you ’ll need to rivet when fitting them , particularly yield that six of them are two different shades of the same colour . The other number with using this many inks is that you ’ll require to keep more spare on hand if you require to make trusted you never run out of ink .
canyon only sell ink cartridge for this printer in a exclusive content , and it does n’t set how many unvarnished theme page each one will print . Each of the eight cartridges has a dissimilar output , but on average Canon ’s figures paint a picture you ’ll get 550 10x15 cm photos , or 75 A3 + photographic print from a band . With each magazine costing about £ 16 , you ’ll pay 23p per mailing-card and £ 1.73 for a unmarried A3 + print .
Factor in Canon ’s best timbre photo theme and you ’ll yield nearer 50p per postcard , or a mighty £ 3.50 for an A3 + print . That ’s a caboodle , clearly , but it ’s worth comparing it to lab printing costs . you’re able to get 10x15 curium prints online at around 10p each , but few services even go up to A3 sizing , and those that do will charge you around £ 7 per print .
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The PIXMA Pro-200 is comparatively expert value for gravid prints , then , but for all photographic print it offer the vantage that you could experiment with different finish , and go back to improve prints that have n’t quite turn out as you expected . If you ’re a pro lensman or even a acute amateur , that could be an priceless way to perfect your snap . It ’s also a portion quick than look for prints to arrive in the billet .
While some photograph printers are happy to turn their hand to spare report impression , the Canon PIXMA Pro-200 is dead not . It ’s a sign of its design that its PC print equipment driver default to gamey - timber coated picture newspaper publisher . you may pick out plain paper , and the result are OK , but this is n’t the printer for you if you ’ll regularly impress office documents .
Print speed and quality
Canon was unspoilt enough to provide me with spare inks and a motley of its own photograph paper , so I jubilantly pop off to work testing the PIXMA Pro-200 on a choice of my pet landscape painting , portrait and class photos . It was apace obvious that this printer delivers on its promise of brilliant pic quality – it ’s among the best I ’ve tested .
The PIXMA Pro-200 excels at reproducing fine details . This was most patent in the fine lines and strands of hair in unaired - up portraits , but also showed throughout my sample prints , for example in the crease of fabrics , or in fine brushwork on a role - player ’s costume . It ’s particularly honorable in mid and dark tones , but arguably less so in very pale regions such as clouds or pale shades washed out by sun .
This printer seems to wassail in complex and highly contrasting subjects , twist a high - dynamical range ( HDR ) vacation snap of my son into a mini - masterpiece . There was n’t a single sphere where the printing machine failed to regurgitate the detail of the original shot . Below I ’ve compared this mark from the Pro-200 ( left ) and the Epson ET-18100 . In fairness , I should point out that the latter habituate only six inks .
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I tried the Canon PIXMA Pro-200 on a few black - and - snowy barb . Despite having black , Zane Grey and low-cal greyness ink , it default to using a modest amount of colour ink alongside them – you may force it to black - only in the driver . I truly struggled to tell the difference between the two options – it ’s subtle , even if you use a magnifying glass . My imprint was that default print were almost imperceptibly more elaborated than black - only I , at the cost of a very little move away from being unfeignedly neutral in tone .
In my examination , I found only one photo where I felt the Pro-200 ’s print was n’t quite as solid as it could have been . Its rendition of a silver-tongued car by a loch at dawn reproduced the warmheartedness of the sky but lost some of the coolness around the car , and more or less underexposed shaded vegetation on the savings bank . It ’s a subjective difference , though – my partner prefer this print to the Epson ET-18100 ’s rendition .
This pressman wo n’t keep you waiting too long for your exposure , even on large A3 + newspaper . At the highest potential setting , it finished off each borderless 10x15 centimetre print in less than a moment . Borderless A4 print were done in three and a half minutes , while I timed a colour A3 + print at six minutes and 49 sec . I noticed that black - only mode was appreciably slower but unfortunately was n’t able to clock by how much before I had to return the printer to Canon .
I conducted our usual plain theme test for completeness . The PIXMA Pro-200 needed 37 seconds to grow out the first varlet of black textbook , or nearly a minute for color . It could manage only 2.4 pages per minute ( ppm ) on our standard textual matter trial , rise to just 3.7 ppm over 20 Sir Frederick Handley Page . Twenty colour pages fill more than six minutes , a charge per unit of 3.2 ppm . Plain paper photographic print lineament was reasonable , with fairly black schoolbook and adequate graphics , but you ’d get skillful from a cheap , office - focused inkjet .
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Should you buy it?
The PIXMA Pro-200 is a machine that puts quality exposure printing at the forefront . If you want great results , and especially if you are a lensman , this is the pressman for you .
This is n’t your average printing machine for occasional home and office habit . It surpass in high - quality photo printing . you could find better value for your needs if that is n’t what you ask .
Final Thoughts
This really is an exceptional photo printing machine , producing prints that are well estimable enough for aspiring photographer to expose or sell . They ’re dependable than the quality you ’d get from a typical lab , with the advantage that they ’re much quicker , and that you get the fortune to experiment and rectify them until they ’re on the dot what you desire .
This is n’t the cheapest way to get decent postcard - sized photos – online services are far cheaper , as are refillable choice like the Epson EcoTank ET-18100 . That said , it should still redeem you money and improve your results if you often publish on A3 or A3 + theme .
If you ’re after something different from a photo printing machine , such as a lower cost , chequer out ourbest photo printersguide . Or , if you do n’t want the perks of a photo printing machine , there ’s outbest printerslist too .
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How we test
Every printer we review give way through a series of unvarying check design to gauge key matter including photographic print quality , velocity and toll .
We ’ll also equate the lineament with other printers at the same price point to see if you ’re pay off good time value for your money .
FAQs
No , it ’s a single - use printer , optimise for great photos .
It ’ll take up to A3 + theme , which measure 329x483 mm ( 13×19″ ) . you could also set up tradition newspaper publisher sizes up to a huge 323x990 mm .
Test Data
Full Specs
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Compared to the Canon PIXMA Pro-200 (left), the ET-18100 (right) tended to wash out detail from light areas. – Image Credit (Trusted Reviews)
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Compared to the Canon PIXMA Pro-200 (left), the ET-18100 (right) tended to wash out detail from light areas. – Image Credit (Trusted Reviews)
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