Verdict
One of the most all - round full - frame cameras on the food market , the Canon EOS R6 Mark II does a immense amount of thing right-hand , but perhaps does n’t go far enough to warrant an raise from the original R6 . Those wait to mistreat up from smaller sensor camera to full - frame will not be disappoint and the R6 Mark II can deliver professional - quality still and picture contentedness .
Pros
Cons
Key Features
Introduction
Canon was pretty late to the mirrorless party , but has quickly made up ground with the launch of a whole reach of both full - frame and harvest - sensing element mirrorless cameras that all apply the latest RF lens saddle horse .
Back in 2020 , the launching of the original R6 was something special however , as ( along with the R5 ) , it was the first full - underframe Canon mirrorless television camera to boast In Body Image Stabilisation ( IBIS ) . Fast frontward three years and the permutation R6 Mark II has big boots to satisfy .
While it ’s true the Mark II does still contain on to features from the older R6 , it ’s also correct that the Mark II does bring a caboodle of new technology to the table . This may be tempt for those who are looking to buy their first full - frame Canon , but do the Modern features and role justify an raise to survive R6 users ? Here are my intellection .
Design
While the Canon EOS R6 Mark II looks very like to the original R6 and tips the scales at exactly the same system of weights ( 680 g ) and size ( 138x98x88 millimetre ) , there are some crucial pattern changes that make operation faster and uncomplicated .
The most obvious among these is the on / off transposition , which impress from the left side of the top plate to the right field and gains a whorl position too . In its place , Canon has infix a dedicated switch to instantly jump from Photo / Video mode – much like the one ascertain on the professional - level Canon R5C.
The button layout on the back of the camera is the same as the older R6 , apart from a slightly redesigned joystick that can be used for changing AF points speedily and it should also be direct out that the 3 - inch LCD and the Electronic Viewfinder are the same as the aged R6 too .
The hold of the tv camera is well proportioned and lends itself to a solid grip for the user and although the build of the camera does n’t feel as solid as Canon ’s older DSLRs such as the 5D Mark IV – mainly due to the usage of polycarbonate in the body – it ’s robust enough and the television camera offers a fair academic degree of weather sealing .
One last note on the excogitation , which user will notice when they look at the mode telephone dial , is that Canon has added additional option . For example , there is now Scenes musical mode and also Creative Features , which offer modality help to photographers to get the right configurations for the picture they are take and also offers a fast - track way to be creative in - camera .
Features
If you are attend for a camera that will perform well in a whole host of photographic situations then you will find a friend in the Canon EOS R6 Mark II .
If you love shooting landscapes , the higher firmness of purpose will create filing cabinet that can be printed large – in excess of A3 , while sports and wildlife lensman will appreciate the max burst rate of 12 frames per minute when used with the mechanically skillful shutter , which is the same as the older R6 . swop to the electronic shutter however , and you’re able to shoot up to 40 frame per second – double the speed of the 20 FPS from the sr. R6 and more than enough for even the most demanding of action sequences .
Of course , focal ratio is nothing without control and this is provided by a very effective autofocus system that makes use of Canon ’s Dual Pixel AF II engineering science to provide fast and effective performance that engage on to subjects quickly and accurately .
There is capable detection , Face signal detection and Eye detective work – something which will make the life of portrait photographers easier and it ’s quite surprising just how well these features work , with the Eye spotting kicking in even when the subject is reasonably far away from the television camera and is likely diminished in the bod .
The R6 Mark II also include Pre Shooting , a feature that enable substance abuser to capture the natural action a half second before the shutter button is fully press . This will serve you capture split - second gear moments with an unpredictable subject .
Another feature article of note comes into play when the user need to produce a frame with front to back raciness . The Focus Bracketing musical mode has been seen in Canon cameras before , but the R6 Mark II includes Depth Composite , which will allow for multiple frames to be captivate , incrementally changing the focus point each time before go forth them together into one physical body – doing aside with the want for any extra software .
Like the original R6 , the Mark II benefits from IBIS and Canon ’s stabilization engineering science is impressive , offer up to 8 - hitch of compensation which will prove hugely useful when shooting in modest - light conditions where shutter speeds are slower and tv camera shiver can be more pronounced .
Video
If you are look for a full - frame mirrorless that can also cut it as a competent camera for creating flick , then the Canon EOS R6 Mark II has tidy sum of feature to make your shortlist .
In fact , it can actually capture the ultra - high-pitched resolution 6 kilobyte 60p Pro Res birthday suit if you pair the tv camera with an external gadget like an Atomos Ninja , but these in high spirits file sizes may seek to be overkill for most user . alternatively , the more substantial - cosmos alternative is the 4 K 60p feature of speech , and the bountiful difference between the Mark II and the original R6 is that there is no crop with the newer Mark II .
What ’s more , there ’s a difference when it comes to capturing slow motion footage because , although the Mark II ca n’t extend slow movement in 4 grand solvent ( which is a disappointment ) , it does offer a higher skeletal frame rate than the honest-to-god R6 . In fact , it can capture 6x slow motion by shooting at 180p instead of 120p . This higher frame rate is important because it allows users to shoot dim motion sequences handheld with incredibly unruffled results .
Additional movie feature admit Electronic Focus - breathing correction , which prevent that annoying pulsing effect when record footage and it should be retrieve that the R6 Mark II tamp a dual SD scorecard setup , so you may prefer to make an instant backup man of your video files , or you may instead read video to one card and shut up to the other .
At the side of the R6 Mark II , you ’ll witness ports for headphones and an outside microphone , so enhanced audio can be both captured and monitored . Unfortunately , Canon has persisted with the mini - style HDMI embrasure rather than opting for a full - size version , so if you are intending to habituate an outside admonisher – I expend the Atomos Shinobi – then you may need to buy an extra cable system to get the right connective .
The picture quality is awful and drug user also have the option of using Canon Log profiles for that flatter look that yield more tolerance in redaction computer software such as Adobe Premiere . The only niggle from this department is the red tally light that surrounds the LCD – on the original R6 it stays red , but on the Mark II it flashes on / off , which I feel distracting .
It should also be noted that while video filing cabinet on the original R6 were limit to 30 minutes , the R6 Mark II offers unrestricted transcription multiplication ( should you have big enough memory bill of fare ) and the overheating issues that some R6 user experienced when capturing 4 KiB footage have been addressed with the R6 Mark II featuring more efficient heat direction .
Image Quality
Because the Canon EOS R6 Mark II balance speed with firmness , the trueness is that there are competitor who will propose more than the 24 - megapixels than the Mark II can give up , but it ’s deserving train a step back here and check the bigger pic .
The R6 Mark II shoot down 14 - flake altogether files that catch a immense amount of tonic details and do a great job of helping photographer rescue overblown sky or clear up up areas of darker point and I found the image quality to be first class .
Is the image calibre an advance on the original R6 ? Well , yes , but not by a huge border as it was already pretty impressive with good colour rendition and that canyon colouring science which photographer have always bed . The EOS R6 Mark II color are vivacious , but not oversaturated and no unnecessary colour casts .
While some may seem at the megapixel count and worry , it ’s deserving think back the R6 Mark II can entrance file measuring 6000×4000 picture element , and this is more than enough to produce A3 prints or give photographers some parallel to crop in without compromising on overall image quality .
Digital Noise is handled super well and if you do hire a high ISO – say 25600 – you may well clean up speckles or stochasticity using RAW conversion software while still maintain the particular in your subject . The Canon R6 Mark II does also proffer the option of Compressed RAW files to redeem outer space on your store cards , but I generally do n’t rile with this format as computer storage wag are more affordable these days anyway .
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Should you buy it?
The R6 Mark II is n’t precisely cheap , but make no mistake , it offers fantastically dear value . This is an all - in - one mirrorless for those photographers out there who want a full - frame television camera to try out multiple photographic music genre .
If you already own the original R6 , then you may find the improvements are not quite enough to warrant upgrading . For more option , correspond out ourBest Cameraslist .
Final Thoughts
Packed with cutting edge technology to capture awing stills imagery , the Canon EOS R6 Mark II also surpass as a moving picture - centric camera , offering plenty of feature film that are more usually associated with far more expensive Cine cameras like the R5C or C70 .
Sure to be embraced by both professionals and enthusiasts alike , the R6 Mark II has all the ingredients for a hugely popular and reliable full - frame mirrorless camera , while still offering additional physical welfare , such as being compact and lightweight . For even more choice , check out ourBest Cameraslist .
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We try every camera we review good . We utilise set trial to compare feature properly and we apply it as our main gadget over the reexamination menstruation . We ’ll always tell you what we find and we never , ever , accept money to review a intersection .
FAQs
The Canon EOS R6 Mark II boast a full - frame 24 - megapixel CMOS sensing element and features 20 % more resolution than the original R6 .
The Canon R6 Mark II can shoot 6 K video , but only to an outside gadget . Internally , the camera can beguile 4 K video to 60p and dense motion up to 180p , but only in Full HD .
Yes , the pairing of 24 - megapixels of resolution and the max burst rate of 40 frames per second ( electronic shutter ) meaning you may entrance fast succession of your wildlife content while still grow frames with decorous resolution in RAW file format .
Full Specs
