Verdict
There are some compromise necessitate , but if you desire a telly - like experience from a large - filmdom projector , the AWOL Vision LTV-3500 is the brightest laser TV that we ’ve reviewed . It produces burnished and vibrant paradigm , although blacks could be well , and it is bright enough that it can be used during the daytime . Although cheaper than an actual 100 - in tv set , this projector is expensive and you have to factor in the cost of a ALR screen to get the most out of it .
Pros
Cons
Key Features
Introduction
Should I bribe a enceinte - concealment TV or a projector ? This is the geezerhood - sometime dubiousness facing those looking for a caliber place celluloid experience .
Now , we ’re catch to the age with Ultra Short Throw projectors ( or optical maser TV as they care to be called ) where the answer can reasonably be both . With a huge 3500 - lumens light , and able-bodied to cast a 100 - inch filmdom from just a few inches , the AWOL Vision LTV-3500 is one of the strongest competition yet .
At its expert , it turn in an veneration - inspiring bad - covert experience that ’s tough to trust it ’s coming from a projector . It is expensive , particularly as it does n’t ship with a screen , and the limited number ofHDMI portsmay put some off .
Design
As with all Ultra Short Throw projectors , the AWOL Vision LTV-3500 is a widely flat loge , designed to sit just in front of the projection airfoil , beaming its picture upwards . It ’s quite a large and chunky box ( 145 x 595 x 353 mm ) and at 12.4 kg it ’s a solid turn of kit .
It sat neatly enough on my received telly cabinet , although I did have to slip this forward to give the projector the 9.8 - column inch gap to project a 100 - inch image . A somewhat deeper cabinet would make more sensation with this model to give it a neater installation .
Even so , having a projector so close to a rampart means that it can be switch like - for - like with a TV , without having to buy extra farseeing HDMI cables to reach a projector mounted in the middle of a room .
I was loaned an AWOL Vision Daylight ALR ( Ambient Light Rejecting ) Screen for examination . This , in effect , only reflects light shone from below it , rejecting other light , do the AWOL Vision LTV-3500 suitable for use during the day . It ’s a demand accessory , but it ’s also an extra $ 1399 for the 100 - column inch model , with the gravid 120 - inch variation cost $ 2299 . you may buy alternative third - political party ones .
The rivalHisense 100L9GTUK Laser TVships with a 100 - column inch ALR blind , costing less overall . Plus , at the fourth dimension of review , Hisense was offering to come around and fit the screen and set the projector up for detached .
With the AWOL Vision LTV-3500 , you have to correct up the screenland yourself , which involves jockey the frame of reference together , and tensioning it to keep it all flat , so you’re able to get a perfect image . There ’s then the task of mounting the screen on the wall , which takes a little adjustment to get everything square and storey .
It ’s a occupation deserving doing the right way , as the ruined result look great – just like hold a huge TV on the wall .
Features
Although I ’ve visit laser TVs before , such as the more value - orientatedXGIMI Aura , brightness has been the upshot . The XGIMI Aura peak at 2400 lumens , so call for a dimmed room to process in ; here , the AWOL Vision LTV-3500 has a massive 3500 - lumens light .
As the projector is so penny-pinching to the screen , less twinkle is lose in transmission than with a veritable projector . meld with the ALR screen , light that is n’t from the projector is rejected , cut out reflexion that will quickly spoil the company . I ’ll dig deeper into look-alike tone , but the brightness and sieve combined mean value that this organization can be find out during the sidereal day , with curtain opened , just like with a normal television .
Technically , you may jut out onto a flat wall , but you ’ll get bad direct contrast , a dimmer screen and , unless your wall are really flat , every imperfectness play up .
advance the fact that this is a TV , not a projector , are 36W stereo speaker unit compatible withDolby Atmos . Thanks to the sizing of the case , there ’s more way for quality verbalizer than you ’ll get on a even television receiver . There ’s no tuner on this model , so you ’ll need some sort of fixed - top box if you require to follow broadcast TV .
That ’ll eat up one of the HDMI 2.0b input . There ’s a 2d larboard that providesHDMI eARC , so that could well be gone if you decide to hook up a soundbar , such as theSonos Arcinstead of swear on the onboard strait .
There is a third HDMI 2.0b stimulation , although this one is obliterate underneath a gore and is taken up by the bundledAmazon Fire TV Stick 4 K Max . On one hand , this is a skilful shout . Rather than AWOL Vision deal apps and software update , even though the projector run for Android 9.9 , it ’s pass this over to Amazon and the brilliantly supported Fire TV Stick .
However , it think that the HDMI stimulant can go apace , and I had no ports free to plug in my4 K Blu - ray of light player ; it ’s either a fire hydrant - and - unplug task or I ’d need to put in an HDMI electrical switch . Just one more HDMI input would have made things double-dyed .
None of the comment support 4K/120Hz orvariable refresh rategaming that high - end TV have . Input lag comes in at around 30ms , so it ’s not peculiarly one for dedicated first - individual shooter players , although even single - player gaming is fun .
brand as a 4 K role model , the AWOL Vision LTV-3500 , like all other DLP 4 K models , expend a technology call XPR combine with a Full HD projector microchip . It works by shifting the DLP fleck more or less , four times per form , to scale up the solution to 4K.
You do n’t get true one - to - one 4 K pixel mapping , but the applied science is modern enough to fool you into thinking that there ’s a 4 honey oil image on - projection screen ( or near enough ) . Compared to a Full HD projector , XPR models , such as the AWOL Vision LTV-3500 , look far more detailed .
HDR support is present with bothHDR10+and HLG are both corroborate , with the former quite rarified to see on projectors . There ’s noDolby Visionsupport , which is rarer still on projectors .
Three optical maser ( crimson , unripened and blue ) are used in succession to create a colour image on sieve , forego the need for a colour wheel , and create a brighter image with a spacious colour gamut : AWOL Vision claims 107 % of the HDR Rec 2020 ( also acknowledge as BT.2020 ) monetary standard . This is common for optical maser , DLP projectors and the same claim as made by the Hisense 100L9GTUK .
AWOL Vision says that the non - replaceable lasers will last for 25,000 hours . That ’s more than ten years if you were to learn for eight hours a day , longer if you watch TV far less .
I measured big businessman consumption at 200W , which is double that of my 55 - inch LG OLED TV , although here I ’ve take almost four times the screen size of it . It ’s a honest patronage - off if you require a big screen , and the AWOL Vision LTV-3500 is n’t excessively expensive to run .
As with most laser tv , there are very few configuration alternative . Getting a substantial picture trust on aligning the projector decently with the screen , and adjusting its four foot to get it level . There ’s basic six - compass point keystone discipline if you ca n’t quite get the picture to argument - up properly , plus a focus ascendency to get the figure of speech sharp at different size .
There ’s a neat outside control in the box , which I only ever use for exchange input , and adapt background , so it ’s not reach much .
Picture Quality
give the axe up the AWOL Vision LTV-3500 , I discover it heavily not to have a smiling on my face . Even in a brightly lit elbow room ( my couch windowpane present in the south and get the sun all day ) , the projector can drive home a bright image that can be seen all - day long . It really does look like there ’s a massive telly in the room .
That ’s telling from the kickoff , as the AWOL Vision LTV-3500 really can substitute a telecasting for normal enjoyment : there ’s no need to go and shut subterfuge or to try and move the projector nigher to the screen to get a proper image .
Of naturally , there are terminus ad quem to the system . Some ambient Light Within does get in the way of the picture , and during the day , the AWOL Vision LTV-3500 does n’t wait as intense or its people of colour as rich as when the curtains are shut and it ’s dark in the room . That ’s an parameter that can be levelled at most display gimmick , and if you want to watch at the best timbre , you want to do so in the dark or near dark .
Watch 4 K on a good quality comment , and the AWOL Vision LTV-3500 shines . Watching the Lord of the Rings : The Rings of Power on Prime Video , and the Elven realm of Lindon pop out the screen : its rich greens and amber , and bright sky are everlasting for showing off what the AWOL Vision LTV-3500 is up to of at its unspoiled . Detail is high and there ’s enough detail to see the intricate details that you ’d expect to see on a 4 potassium twist .
It ’s not all unmingled soaring . Out of the box seat , I feel the projector made flesh note a little too red , making it look as though a destiny of people had fake tan . Dive deep into the menu , and there ’s full colour mastery to adjust this , and I found it worth expend time getting the image quality right .
For all of its qualities , the AWOL Vision LTV-3500 does n’t deliver black - layer performance that can vie with the best TVs , particularlyOLED models . When I fire up my OLED , there are deep and dark blacks , with detail right into the shadow .
With the AWOL Vision LTV-3500 , it gets as contraband as the screen , which is to say a shadiness of grey . Some detail is lose in blue scenes . Again , this is more of an number with projected images than a flaw in the projector as such .
Although the tri - optical maser colour system of rules cuts down on the DLP rainbow result , it ’s still evident in some scenes . Get a fast moving effigy , gamey - line aspect or quick slash , and there ’s the casual flash of colour . I did n’t find it particularly vexing , but if you ’re overly raw to the rainbow effect , a DLP projector of any kind probably is n’t for you .
If there ’s one topic with XPR , it ’s that the screen has to incline at 60Hz , with no other refresh rates usable . observe a moving-picture show at 24p , and it has to be adjusted to match the 60Hz refresh charge per unit . too , regular TV ( 25fps in the UK ) and it has to be displayed at 60Hz .
For the most part the AWOL Vision LTV-3500 does a good job of wield frame pace mismatch , but I did find I require to turn on the Motion Estimation Motion Compensation ( MEMC ) feature of speech , which adds some interconnected frames . Stick this setting on low ( or metier if you need ) and it smooths out the movie without curve into soap opera technology .
Watch football or rugby ( or any other tight - step mutant ) and the projector can swimmingly keep up with the orb .
Put lower lineament images into the projector , such as standard definition circulate TV , and the AWOL Vision LTV-3500 does a pretty sane job of upscaling it so the termination does n’t wait atrocious on a 100 - column inch screen ( well , any more ugly than Mount Rushmore State contentedness appear generally ) .
That say , low - quality TV does introduce some artefacts , especially with fast track . Blown up to epic ratio , artefact like this are far easier to spot than on a smaller boob tube .
Pure cinema fans will require a projector that can handle filmic frame rate , and something with ink-black Black . However , as a swap - off , this is a great compromise : a projector that can handle TV and do a middling good line when it come to films .
One word of warning : it ’s deserving using the supply fabric to strip the lens often . Get a bit of bozo hair or dust on the crystalline lens , and the super - bright lightness and large simulacrum can end up with some peculiar artifact on - screen .
There ’s an ambient brightness context that can adjust the projector ’s brightness mechanically , although I did n’t find it that reliable , and it was sometimes too glowering in a bright lit room . To that end , I preferred to set the light mode mechanically .
as well , I moved between HDR Standard and HDR Vivid depending on the message I was watching .
Sound quality
twofold 36W loudspeaker make the AWOL Vision LTV-3500 sound pretty good for a projector . I ’d say that this projector sounds as upright as a budget soundbar . sure enough , the audio it raise is tacky enough and detail enough to fill up a room .
Dolby Atmos andDTS :X decodingis squeamish to see from a specification linear perspective , but the speakers ca n’t do it justice : audio never really sounded like it was amount from above me , nor could it falsify surround channels .
There ’s not much bass here , so more demanding soundtracks drop off their wallop and do n’t quite extradite . Do n’t get me wrong , the AWOL Vision LTV-3500 sound far better than any even TV or projector but it ’s not cinematic . I lead my Sonos Arc and fence sound speakers connected .
While the projector is on , its fans run and they ’re softly audible . When watching something louder and more involved , it ’s punishing to hear them , but the fans permeate more gentle soundtrack to a arcdegree . I discover that I got used to them and did n’t find the sports fan too annoying .
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Should you buy it?
It ’s shiny enough to cope with day ( provided you have the ALR projection screen ) , acute and elaborate enough to handle films , and is cheaper than a 100 - column inch TV .
This projector is locked to 60Hz because of its XPR engineering , and sorry room carrying into action is n’t as good as with the best home plate celluloid projector .
Final Thoughts
It ’s impossible not to be impress by the AWOL Vision LTV-3500 . It chip in a true TV experience an a huge screen . After using it for a few weeks , I got used to the 100 - in picture , and it made every other screen door in my house seem small ; it ’s hard to go back to watching a regular TV after this .
It ’s a eminent - quality projector when it comes to films and lineament remark , too , giving a balance between a video experience and a film - room experience . The peak luminance of 3500 - lumens is a footmark up from even the Hisense 100L9GTUK , while HDR10 + support boosts HDR image lineament . Pixel - for - pel , this is a better - tone machine .
Yet , for all its triumphs , it ’s not go to be for everyone : it ’s expensive , does n’t include the ALR screen as measure , and it ’s operate at 60Hz . If you want that Brobdingnagian screen experience and can accept this projector ’s limitations , it ’s a great buy , but you ’ll get beneficial trope lineament and better refresh rate sustenance from a premium TV .
Trusted Score
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We test every projector we review exhaustively over an extended period of clip . We use industriousness stock test to equate features the right way . We ’ll always tell you what we bump . We never , ever , consent money to review a Cartesian product .
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FAQs
Brightness is the main difference , with the LTV-3500 rated at 3500 - lm , and the LTV-2500 at 2500 lumen .
Yes , it ’s bright enough to produce an paradigm in daylight , but avoid direct sun and purchase the ambient light - rejecting screen for the best results . tungsten
cyclosis is provided via the bundled Amazon Fire TV Stick 4 K Max , so all major cyclosis services are describe for .
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