Verdict
A super - lustrous UST projector , the AWOL Vision LTV-3500 Pro can be used during the day with curtains open . It ’s the Dolby Vision support that really elevates this good example , cope with searing highlight while delivering a thick , rich picture elsewhere . If you require to put back a TV with a large - concealment projector frame-up , this is the ultimate selection , but the high price and limited number of HDMI port may put some masses off .
Pros
Cons
Key Features
Introduction
As good as theAWOL Vision LTV-3500UST projector is , there was one thing guard it back from true cinematic greatness : it did n’t supportDolby Vision . That ’s repair in the updated AWOL Vision LTV-3500 Pro , which takes everything with child about the original and supply in the best HDR format . And , the good news for owner for the LTV-3500 is that there ’s new microcode that add Dolby Vision , giving you the same features you have here .
If you require a full cinematic experience with a projector you could apply during the day , then this may very well be what you ’re search for .
Design
Externally , there ’s no tangible dispute between the AWOL Vision LTV-3500 Pro and the standard LTV-3500 model . That ’s because the newfangled exemplar is based on the older , with extra smarting and processing to deal with Dolby Vision .
Once again , the projector is a wide and flat box build to baby-sit inches away from your chosen projection aerofoil , post the scene up above . At 12.4 kg and measure 145 x 595 x 353 millimetre , this is a solid and chunky bit of kit .
Still , the advantage of a production like this is that you’re able to take down your old TV and interchange it with this projector without corrupt any fancy cap setting or extra - long HDMI cables .
You ’ll probably need an Ambient Light Rejecting ( ALR ) screen to get the best persona timbre , peculiarly if you want to look on during the day . I was loaned an AWOL Vision floor - rising CRT screen . Provided with a USB dongle , the screen door mechanically rises when the projector is plow on and seethe out of view when the projector turns off . Or that ’s the theory ; my initial sampling needed a new dongle , as the covert refused to close when the projector turn off . The new dongle come , and fix the publication . The only other problem I had was with the home switch on the screen door . This should be pressed by the screen when it closes , shut off the motor . Only , the replacement had moved in transit , so I had to realine it using a screwdriver to ready it .
This sieve is a chunky extra ( $ 2249 ) for the 100 - inch version , and the fixed screens are around $ 1000 chintzy .
Just be cognizant that if you do bribe the mechanize concealment , the projector ask to be placed low enough so that a full - size image does n’t overshoot the top .
Features
As with its predecessor , the AWOL Vision LTV-3500 Pro is rated at 3500 - lumens luminosity , a full 1500 lumens smart than theHisense PX1 - Pro . More luminance is good for two reasons : you could watch this projector during the mean solar day , and it can do more with HDR trope .
As the projector sit so close to the screen , less light is lost in transmission , so you ’re stupefy a lot more of the luminosity right there on the blind . With an ALR screen rejecting light from above , the answer is a very bright image that ’s fully visible during the day with blinds assailable – it ’s like having a normal TV .
Dual 36W stereophonic system speaker system are built in , and compatible with Dolby Atmos . If you ’re doing a like - for - like transposition of a TV , then the build - in loudspeaker system entail you’re able to get up and hunt down without buying a soundbar .
The only thing you might miss from a regular TV is a tuner . To watch live TV , you ’ll involve to buy a set - to loge and plug that in .
At the back are the inputs and outputs . There are two accessible HDMI ports , one that supportsHDMI eARC , delivering lossless sound formats , such as Dolby Atmos over Dolby TrueHD from anUltra HD Blu - shaft player .
That ’s not a set of port wine . Connect up a decent sound system using eARC , and there ’s only one HDMI stimulant free for other devices . As I ’ve gotSky Qand an Ultra HD Blu - beam instrumentalist , I find that I have to switch the cables around when changing informant .
Technically , there is a third HDMI port . This is located underneath a flap at the back , and is designed to hold the bundledAmazon Fire TV Stick 4 K Max . That ’s a serious choice : every app you could need is supported , and it ’s better than having Android television set on the projector with a cut - down compass of apps .
It would just be nice if there were at least one more HDMI port . I can see the need for an HDMI switch to be used for many menage .
Each input supports a maximum of 4 K at 60Hz , and there ’s no support forvariable frame rates . Input lag is 17ms in 4 K , although drop down to 1080p and this dangle to just 8ms . Not bad for a tumid - covert projector , although you may require to take for onto that telly for militant gaming .
As with most DLP 4 K projectors , this one has a Full HD DMD cow dung , which use XPR technology to advance the resolution to 4K. XPR works by shift the DMD chip four times per soma to make up a eminent resolution image that is , for all spirit and purposes , 4K.
It works brightly , and I refuse anyone to secern the difference between XPR and ‘ straight ’ 4K. The only tangible downside is that 4 K substance is lock up to 60Hz .
HDR accompaniment is present withHDR10 + , HLG and Dolby Vision , which has only recently become available for projector . It ’s Dolby Vision that had me activated : it ’s the best HDR standard , delivering the gamy - quality images , whether you ’re streaming or playing from disk .
Three lasers ( ruby , green and blue ) are used in chronological sequence to work up up a colour prototype , neutralize the need for a vividness bicycle and creating a brighter , knifelike picture . AWOL Vision claims 107 % of the BT 2020 Colour Gamut and 147 % of DCI - P3 .
These non - replaceable lasers will last for 25,000 hours , which is more than ten years of use if you were to watch TV every day for eight hr per day .
big businessman use of goods and services is around 200W , which is about double that of a55 - inch OLED telecasting . That ’s not uncollectible , considering I had around four times the screen tangible acres for only twice the force usance .
As with most laser UST projectors , there ’s not much in the way of prototype adjustment . The most important thing is to line up the blind so that it is all flat , then use the projector ’s legs to make it level , and then manoeuvre the AWOL Vision LTV-3500 Pro to sit promontory - on to the screen . If you do need minor digital adjustment , there ’s the six - point keystone . Finally , there ’s manual focus to get the image sharp .
A dandy Bluetooth remote is bring home the bacon in the box , which can be used for position up the projector ’s options , changing stimulus and the like .
Picture Quality
Thanks to the 3500 Lumens brightness , the AWOL Vision LTV-3500 Pro bring forth a hugely bright persona . Even on a sunny day , with light streaming through my front window , I can still look out this projector . Sure , dark and temperamental content does better when it ’s dark or the blinds are shut , but that ’s true of a TV . What you get here is a no - via media projector : when you just require to sit down and watch something , you could see what ’s run short on without having to fold pall or blinds .
Of course , the AWOL Vision LTV-3500 Pro is best with the high - quality Dolby Vision content played at 4K. Watch Guardians of the Galaxy Vol 3 , and the AWOL Vision LTV-3500 Pro delivers a sumptuous exposure .
The scenes at OrgoCorp are bright and fun , with the projector delivering searing whites , while maintaining rich and bright colours .
When they have to operate on Rocket , the projector handles the line between the bright central part of the image while delivering phantasma detail . It ’s a huge stride up in term of quality from the original AWOL Vision LTV-3500 .
incarnation : The Way of Water looks absolutely stunning . With the in high spirits brightness , Pandora look incredible , with light dappling through the underbrush . This projector deport cinema at its practiced .
As with all projectors , blacks are n’t quite as clinically in effect as on ahigh - quality OLED TV . Given the turgid simulacrum and high brightness level , I will merchandise a little black - level performance .
It is deserving playing around with the look-alike options . There are presets ( I found Vivid or Movie ) the best , plus a substance abuser mode that gives full colour controller , so I could tweak the double further .
When Dolby Vision mental object is play , there are three consecrated modes to choose from ( Dark , Bright or Vivid ): break up the one that suits your content and living elbow room the best .
Normally , I ’d say turn off motion compensation , but here , I say leave it on , but set to a low level . That ’s because the XPR technical school means that all 4 kilobyte content runs at 60Hz . Motion compensation help smooth out any mismatch between source frame rate and display refresh rate , and is particularly useful when check low - character content .
HD content looks good but if you watch SD subject , then there are manifest artifact and other issues , which are easier to pick out on such a large screen than on a television . Then again , that ’s more of an issue with SD content than it is a critique of this projector .
Sound Quality
Specs - wise , dual 35W speakers and documentation for Dolby Atmos and DTS :X sound telling . Overall , the sound quality is morebudget soundbarthan a full - cinema - organization successor .
My main issue is that there ’s not much bass here , so soundtracks turn a loss their impact and do n’t sound as immersive . There ’s enough power and clarity to fill a room , but the projector lacks puncher . When it comes to surround and 3D audio , the AWOL Vision LTV-3500 Pro does n’t create an immersive soundscape . I left mySonos Arc and surround audio speakersconnected .
There are fans run constantly on this projector . For gaudy content , I found my soundbar drown out the fan noise ; when watching something quieter , there ’s a gentle HUA to get by with , which was n’t too annoying .
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Should you buy it?
Excellent Dolby Vision processing and high-pitched smartness make this projector a brilliant replacement for a video .
You ’re modified to 60Hz at 4 kelvin , so those looking to maximise a console ’s public presentation may need to look elsewhere . Two useable HDMI ports are also a trivial limited .
Final Thoughts
The AWOL Vision LTV-3500 Pro is very expensive . Much more so than its rival , the Hisense PX1 - Pro . While the PX1 - Pro is limited to being watched in coloured rooms , the AWOL Vision LTV-3500 Pro ’s eminent brightness elevates its image caliber and think you could watch out during the day or make the most of HDR cognitive content .
If you require a big - screen cinematic experience , then this projector bid that . If you ’re after Dolby Vision in a portable format , then theXGIMI Horizon Ultracould be for you .
Trusted Score
How we test
We test every projector we review thoroughly over an extended period of time . We use industry stock tests to liken feature properly . We ’ll always separate you what we find . We never , ever , accept money to review a product .
Find out more about how we test in ourethics insurance .
FAQs
It has three , although one is take up by the bundled Fire TV Stick , leaving two for HDMI eARC and external devices .
It can project an image up to 150 - inches in size of it .
